Berlin Radio Symphony Orchestra, Mirjam Sohar, Ensemble Zeitklänge Berlin made "The Horatians and the Curiatians: No. 26, The Battle of the Sword Fighters" available on August 8, 2013. With The Horatians and the Curiatians: No. 26, The Battle of the Sword Fighters being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The track order of this song in Berlin Radio Symphony Orchestra, Mirjam Sohar, Ensemble Zeitklänge Berlin's "Kurt Schwaen: The Horatians and the Curiatians" album is number 26 out of 31. The popularity of The Horatians and the Curiatians: No. 26, The Battle of the Sword Fighters is currently unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of The Horatians and the Curiatians: No. 26, The Battle of the Sword Fighters by Berlin Radio Symphony Orchestra, Mirjam Sohar, Ensemble Zeitklänge Berlin to be Vivace (lively and fast) because the track has a tempo of 169 BPM, a half-time of 84BPM, and a double-time of 338 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 5/4.
A Major is the music key of this track. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La Mer, L.109: 1. From Dawn Till Noon On The Sea (De l'aube à midi sur la mer) | Claude Debussy, Orchestre Symphonique de Montréal, Charles Dutoit | F♯ Major | 1 | 2B | 61 BPM | ||
El amor brujo: Ritual Fire Dance | Manuel de Falla, Fritz Reiner, Chicago Symphony Orchestra | G Major | 1 | 9B | 134 BPM | ||
subZERO, "Bass Trombone Concerto": III. ZOOM OUT | Daniel Schnyder, Stefan Schulz, Berlin Radio Symphony Orchestra, Michael Helmrath | E♭ Major | 3 | 5B | 134 BPM | ||
Ivan the Terrible, Op. 116, Pt. 2: Song of the Oprichniki I - Orderly Dance III - Shuisky and the Keepers of the Hounds III | Sergei Prokofiev, Alexander Vinogradov, Rundfunkchor Berlin, Berlin Radio Symphony Orchestra, Frank Strobel | B♭ Major | 2 | 6B | 80 BPM | ||
Poet and Peasant: Overture | Franz von Suppé, Detroit Symphony Orchestra, Paul Paray | A Major | 3 | 11B | 81 BPM | ||
Deutsche Messe, D. 872: Zum Gloria: Ehre, Ehre sei Gott in der Hohe | Franz Schubert, Celina Lindsley, Gabriele Schreckenbach, Werner Hollweg, Walton Grönroos, RIAS Kammerchor, Berlin Radio Symphony Orchestra, Marcus Creed | E♭ Major | 0 | 5B | 68 BPM | ||
21 Hungarian Dances, WoO 1: Hungarian Dance No. 11 in D Minor | Seattle Symphony Orchestra, Johannes Brahms, Gerard Schwarz | A Minor | 0 | 8A | 76 BPM | ||
A PLAY ABOUT GHOSTS | ЧЕПЦОВ Александр, LEX STONE | D Major | 2 | 10B | 178 BPM | ||
Pictures At An Exhibition: The Hut On Fowl's Legs (Baba-Yaga) | Modest Mussorgsky, Orchestre Symphonique de Montréal, Charles Dutoit | G Major | 2 | 9B | 89 BPM | ||
Pictures At An Exhibition: Promenade I | Modest Mussorgsky, Chicago Symphony Orchestra, Carlo Maria Giulini | F Major | 1 | 7B | 79 BPM |
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