"El Sombrero de Tres Picos, Pt. 1: Introduction" by Manuel de Falla, Sophie Harmsen, Orchestre de la Suisse Romande, Kazuki Yamada was released on May 5, 2017. With El Sombrero de Tres Picos, Pt. 1: Introduction being less than two minutes long, at 1:29, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 4 out of 13 in De Falla: Noches en los Jardines de España & El Sombrero de Tres Picos by Manuel de Falla, Mari Kodama, Sophie Harmsen, L'Orchestre de la Suisse Romande, Kazuki Yamada. Based on our statistics, El Sombrero de Tres Picos, Pt. 1: Introduction's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of El Sombrero de Tres Picos, Pt. 1: Introduction by Manuel de Falla, Sophie Harmsen, Orchestre de la Suisse Romande, Kazuki Yamada is Allegro (fast, quick, and bright), since this song has a tempo of 142 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 1/4.
This song is in the music key of B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Over the Mountains High (arr. J. Lloyd Webber for cello and piano) | Frederick Delius, Julian Lloyd Webber, John Lenehan | C Major | 0 | 8B | 71 BPM | ||
7 Canciones populares espanolas (arr. M. Llobet Soles and D. Illarionov): No. 2. Nana | Dimitri Illarionov, Miguel Llobet Solés, Manuel de Falla, Boris Andrianov | A Minor | 0 | 8A | 120 BPM | ||
Sonata in G Major, KK. 455 | Domenico Scarlatti, Yuja Wang | G Major | 1 | 9B | 139 BPM | ||
Bocetos: IV. La campana de la tarde. Allegretto | Enrique Granados, Alicia de Larrocha | F Major | 0 | 7B | 129 BPM | ||
Zdes' khorosho ('How Fair This Spot'), Op. 21, No. 7 | Sergei Rachmaninoff, Pablo Ferrandez, Denis Kozhukhin | A Major | 0 | 11B | 87 BPM | ||
Naive Music: No. 2. Nocturne | Valentin Silvestrov, Elisaveta Blumina | B♭ Major | 0 | 6B | 68 BPM | ||
Dance of the Dolls: Lyric Waltz (Orch. by Tamas Batiashvili) | Dmitri Shostakovich, Lisa Batiashvili, Symphonieorchester des Bayerischen Rundfunks, Esa-Pekka Salonen | B♭ Major | 0 | 6B | 168 BPM | ||
El Sombrero De Tres Picos / Part 1: Dance Of The Miller's Wife | Manuel de Falla, Deutsches Symphonie-Orchester Berlin, Lorin Maazel | C Major | 4 | 8B | 135 BPM | ||
6 Morceaux, Op. 51: No. 6. Valse sentimentale (arr. N. Mercz): Valse sentimentale in F Minor Op. 51, No. 6 | Nora Mercz, Pyotr Ilyich Tchaikovsky, Janos Balint | F Minor | 0 | 4A | 71 BPM | ||
Symphonie fantastique, Op. 14, H 48: II. Un Bal | Hector Berlioz, London Symphony Orchestra, Sir Colin Davis | A Major | 1 | 11B | 113 BPM |
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