"Norma: "Deh! Non volerli vittime"" by Leyla Gencer, Orchestra Del Teatro Alla Scala, Milano was released on August 15, 2000. With this song being about 5 minutes long, at 4:45, "Norma: "Deh! Non volerli vittime"" by Leyla Gencer, Orchestra Del Teatro Alla Scala, Milano is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Leyla Gencer, Orchestra of Teatro La Fenice, Venice, La Scala Theater Orchestrea's "Leyla Gencer, Vol. 1" album is number 3 out of 8. On top of that, United States appears to be the country where this track was created. Norma: "Deh! Non volerli vittime" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Norma: "Deh! Non volerli vittime" by Leyla Gencer, Orchestra Del Teatro Alla Scala, Milano to be Andante (at a walking pace) because the track has a tempo of 88 BPM, a half-time of 44BPM, and a double-time of 176 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Rossini: Il turco in Italia, Act 1: "Voga, voga, a terra, a terra" (Fiorilla, Coro) | Gioachino Rossini, Maria Callas, Coro Del Teatro Alla Scala Di Milano, Gianandrea Gavazzeni, Orchestra Del Teatro Alla Scala, Milano | E Minor | 1 | 9A | 102 BPM | ||
Donizetti: Lucia di Lammermoor, Act 3: "Il dolce suono ... Ardon gli incensi" (Lucia, Raimondo, Normanno, Chorus) | Gaetano Donizetti, Maria Callas, Coro del Maggio Musicale Fiorentino, Orchestra del Maggio Musicale Fiorentino, Tullio Serafin | C Minor | 1 | 5A | 86 BPM | ||
Il Barbiere di Siviglia: Overture - Highlights | Gioachino Rossini, Riccardo Chailly, Orchestra Del Teatro Alla Scala, Milano | F Major | 3 | 7B | 88 BPM | ||
Samson et Dalila, Op.47, R. 288 / Act 2: "Mon coeur s'ouvre à ta voix" | Camille Saint-Saëns, Olga Borodina, Orchestra of the Welsh National Opera, Carlo Rizzi | D♭ Major | 1 | 3B | 86 BPM | ||
La Wally (1997 Digital Remaster): Ebben?...Ne andrò lontana | Maria Callas, Tullio Serafin, Philharmonia Orchestra | C Major | 2 | 8B | 71 BPM | ||
The Weeping Meadow | Eleni Karaindrou, Eleni Karaindrou Ensemble, String Orchestra La Camerata | E Minor | 2 | 9A | 92 BPM | ||
Auf dem Wasser zu singen, Op. 72, D. 774 | Franz Schubert, Dietrich Fischer-Dieskau, Gerald Moore | E♭ Major | 1 | 5B | 102 BPM | ||
Misket | Mesut Iktu | C Major | 4 | 8B | 111 BPM | ||
Verdi: La Traviata, Act 3 Scene 4: No. 8, Aria "Addio del passato bei sogni ridenti" | Giuseppe Verdi, Maria Callas, Orquesta Sinfonica del Teatro Nacional de Santa Carlos, Lisboa, Franco Ghione, Orquestra Sinfónica do Teatro Nacional de São Carlos Lisboa | A Major | 1 | 11B | 76 BPM | ||
Polovtsian Dances From "Prince Igor" | Alexander Borodin, Torgny Sporsen, Gothenburg Symphony Orchestra, Neeme Järvi, Gothenburg Symphony Choir | D Major | 1 | 10B | 103 BPM |
Section: 0.6391396522521973
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