Wolfgang Amadeus Mozart, Albrecht Mayer, Vital Julian Frey, Deutsche Kammerphilharmonie Bremen made "Exsultate, jubilate, K. 165/158a: I. Allegro (Arr. Spindler for Oboe d'amore, Orchestra and Organ)" available on July 30, 2022. With this song being about 5 minutes long, at 4:45, "Exsultate, jubilate, K. 165/158a: I. Allegro (Arr. Spindler for Oboe d'amore, Orchestra and Organ)" by Wolfgang Amadeus Mozart, Albrecht Mayer, Vital Julian Frey, Deutsche Kammerphilharmonie Bremen is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 46 out of 209 in BBQ Night with Mozart by Wolfgang Amadeus Mozart, Various Artists. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Exsultate, jubilate, K. 165/158a: I. Allegro (Arr. Spindler for Oboe d'amore, Orchestra and Organ) is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Exsultate, jubilate, K. 165/158a: I. Allegro (Arr. Spindler for Oboe d'amore, Orchestra and Organ) by Wolfgang Amadeus Mozart, Albrecht Mayer, Vital Julian Frey, Deutsche Kammerphilharmonie Bremen is Adagio (slowly with great expression), since this song has a tempo of 72 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
The music key of this track is G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Simfonía concertant per a violí, viola i orquestra in E-Flat Major, K. 364: II. Andante | Wolfgang Amadeus Mozart, Orquestra De Cadaqués, Ludwig Mülller, Sir Neville Marriner, Caroline Harrison | C Minor | 0 | 5A | 88 BPM | ||
Clarinet Concerto in A Major, K. 622: II. Adagio | Wolfgang Amadeus Mozart, Andrew Marriner, Jaime Martin, London Symphony Orchestra | G Major | 2 | 9B | 197 BPM | ||
Nonet in E-Flat Major, Op. 38: III. Scherzo. Vivace | Louise Farrenc, Consortium Classicum | C Major | 0 | 8B | 79 BPM | ||
String Quartet No. 14 in G Major, K. 387: III. Andante cantabile | Eder Quartet | C Major | 0 | 8B | 65 BPM | ||
Sinfonia In G Major, Wq. 183/4, H. 666: III. Presto | Carl Philipp Emanuel Bach, Salzburg Chamber Philharmonic Orchestra | A Minor | 2 | 8A | 80 BPM | ||
Sonata in E Major, K. 380 | Domenico Scarlatti, Khatia Buniatishvili | B Major | 0 | 1B | 84 BPM | ||
Gavotte - Arr. for Cello and Piano | Jean-Baptiste Lully, Mischa Maisky, Pavel Gililov | D Minor | 0 | 7A | 85 BPM | ||
Lieder ohne Worte, Op. 19: No. 6 in G Minor (Andante sostenuto) "Venetian Gondola Song", MWV U78 | Felix Mendelssohn, Jan Lisiecki | G Minor | 0 | 6A | 168 BPM | ||
Symphony No. 8 in G Major, Op. 88, B. 163: III. Allegretto grazioso - Molto vivace | Antonín Dvořák, Los Angeles Philharmonic, Gustavo Dudamel | C Major | 1 | 8B | 127 BPM | ||
Concerto For 4 Harpsichords In A Minor, BWV 1065: III. Allegro | Cologne Chamber Orchestra, Christoph Anselm Noll, Roderick Shaw, Gerald Hambitzer, Robert Hill, Johann Sebastian Bach | A Minor | 4 | 8A | 114 BPM |
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