"Rhapsody in Blue" by George Gershwin, Michael Tilson Thomas, Los Angeles Philharmonic, Lorin Levee was released on 1976. Rhapsody in Blue appears to be safe for all ages as it is not explicit. The track order of this song in George Gershwin, Michael Tilson Thomas's "Michael Tilson Thomas Conducts Gershwin" album is number 1 out of 90. On top of that, United States appears to be the country where this track was created. Rhapsody in Blue is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Rhapsody in Blue by George Gershwin, Michael Tilson Thomas, Los Angeles Philharmonic, Lorin Levee to be Andante (at a walking pace) because the track has a tempo of 77 BPM, a half-time of 38BPM, and a double-time of 154 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 2 in E minor, Op. 27: 3. Adagio - Extract | Sergei Rachmaninoff, Royal Concertgebouw Orchestra, Vladimir Ashkenazy | A Major | 1 | 11B | 130 BPM | ||
Bagatelle in A minor, WoO 59 -"Für Elise" | Ludwig van Beethoven, Alfred Brendel | A Minor | 0 | 8A | 130 BPM | ||
Prélude à l'après-midi d'un faune, L. 86: Prélude à l'après-midi d'un faune | Claude Debussy, Concertgebouworkest, Bernard Haitink | A♭ Minor | 1 | 1A | 86 BPM | ||
Appalachian Spring - 1945 Suite: 7. Doppio movimento: Variations on a Shaker Hymn | Aaron Copland, Los Angeles Philharmonic, Zubin Mehta | D♭ Major | 1 | 3B | 85 BPM | ||
Rhapsody on a Theme of Paganini, Op. 43: Var. 12. Tempo di minuetto | Sergei Rachmaninoff, Yuja Wang, Los Angeles Philharmonic, Gustavo Dudamel | G Minor | 3 | 6A | 97 BPM | ||
Adams: Short Ride in a Fast Machine | John Adams, San Francisco Symphony, Michael Tilson Thomas | E Minor | 6 | 9A | 130 BPM | ||
Pictures At An Exhibition: Promenade | Modest Mussorgsky, Chicago Symphony Orchestra, Carlo Maria Giulini | A♭ Major | 0 | 4B | 87 BPM | ||
7 Virtuoso Etudes: No. 5, The Man I Love (After Gershwin) | Earl Wild, Leon Fleisher | F Minor | 1 | 4A | 63 BPM | ||
III. The Flight of the Bumble-Bee | Gerhard Wiesenhütter, Leipzig Gewandhaus Orchestra | G Minor | 2 | 6A | 169 BPM | ||
Prélude à l'après-midi d'un faune, L. 86 | Claude Debussy, Doriot Anthony Dwyer, Boston Symphony Orchestra, Michael Tilson Thomas | A♭ Minor | 1 | 1A | 89 BPM |
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