- BPM
- 127
- Key
- B Minor
- Camelot
- 10A
Mein Fleisch ist die rechte Speise: Aria: Mein Fleisch ist die rechte Speise - Johann Pachelbel, Hana Blaziková, CordArte Ensemble Information
- Acousticness
- 88%
- Danceability
- 32%
- Energy
- 6%
- Instrumentalness
- 0%
- Liveness
- 12%
- Loudness
- 66%
- Speechiness
- 5%
- Valence
- 11%
- Popularity
- 26%
- Loudness
- -20.193 dB
Summary
"Mein Fleisch ist die rechte Speise: Aria: Mein Fleisch ist die rechte Speise" by Johann Pachelbel, Hana Blaziková, CordArte Ensemble was released on October 1, 2013. Since Mein Fleisch ist die rechte Speise: Aria: Mein Fleisch ist die rechte Speise is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Hana Blaziková's "German Baroque Cantatas" album is number 4 out of 9. Based on our statistics, Mein Fleisch ist die rechte Speise: Aria: Mein Fleisch ist die rechte Speise's popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Mein Fleisch ist die rechte Speise: Aria: Mein Fleisch ist die rechte Speise BPM
We consider the tempo marking of Mein Fleisch ist die rechte Speise: Aria: Mein Fleisch ist die rechte Speise by Johann Pachelbel, Hana Blaziková, CordArte Ensemble to be Allegro (fast, quick, and bright) because the track has a tempo of 127 BPM, a half-time of 64BPM, and a double-time of 254 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
Mein Fleisch ist die rechte Speise: Aria: Mein Fleisch ist die rechte Speise Key
This song is in the music key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Polovetsian Dances from Prince Igor: Introduzione | Alexander Borodin, George Szell, Cleveland Orchestra | A Major | 1 | 11B | 83 BPM | |
 | Coppelia: Act I - Valse | Léo Delibes, Slovak Radio Symphony Orchestra, Andrew Mogrelia | E♭ Major | 0 | 5B | 89 BPM | |
 | Zdes' khorosho ('How Fair This Spot'), Op. 21, No. 7 | Sergei Rachmaninoff, Pablo Ferrandez, Denis Kozhukhin | A Major | 0 | 11B | 87 BPM | |
 | Moonlight Sonata (First Movement from Piano Sonata No. 14, Op. 27 No. 2) | Ludwig van Beethoven, Luke Woodapple | D♭ Minor | 2 | 12A | 179 BPM | |
 | Peer Gynt Suite No. 1, Op. 46: I. Morning Mood | Edvard Grieg, Libor Pešek, Slovac Philharmony | E Major | 0 | 12B | 131 BPM | |
 | Romance No. 2 In F Major, Op. 50 | Slovak Philharmonic, Takako Nishizaki, Ludwig van Beethoven | F Major | 1 | 7B | 88 BPM | |
 | Partie 5 en si bémol majeur: Sonata | Johann Pachelbel, Les Cyclopes, Bibiane Lapointe, Thierry Maeder, Manfred Kraemer, Laura Johnson, Nina Diehl | A Major | 2 | 11B | 82 BPM | |
 | Dvorák: Rusalka, Op. 114, B. 203, Act I: Song to the Moon | Antonín Dvořák, Gautier Capuçon, Adrien Perruchon, Orchestre de chambre de Paris | F♯ Major | 1 | 2B | 89 BPM | |
 | Lyric Pieces, Book 1, Op. 12: Arietta | Edvard Grieg, Einar Steen-Nøkleberg | E♭ Major | 0 | 5B | 111 BPM | |
 | Thaïs: Méditation | Jules Massenet, Bomsori, NFM Wrocław Philharmonic, Giancarlo Guerrero | D Major | 0 | 10B | 84 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 1.1694796085357666
End: 1.1738700866699219