"Wozzeck / Act III: Scene II: Forest Path by a Pool. "Dort links geht's in die Stadt"" by Alban Berg, Hildegard Behrens, Franz Grundheber, Wiener Philharmoniker, Claudio Abbado was released on January 1, 1988. With this song being about 5 minutes long, at 5:00, "Wozzeck / Act III: Scene II: Forest Path by a Pool. "Dort links geht's in die Stadt"" by Alban Berg, Hildegard Behrens, Franz Grundheber, Wiener Philharmoniker, Claudio Abbado is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 8 out of 16 in Berg: Wozzeck by Alban Berg, Vienna Boys' Choir, Wiener Philharmoniker, Claudio Abbado. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Wozzeck / Act III: Scene II: Forest Path by a Pool. "Dort links geht's in die Stadt" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Wozzeck / Act III: Scene II: Forest Path by a Pool. "Dort links geht's in die Stadt" by Alban Berg, Hildegard Behrens, Franz Grundheber, Wiener Philharmoniker, Claudio Abbado is Andante (at a walking pace), since this song has a tempo of 83 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
F♯ Major is the music key of this track. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphonie fantastique, Op. 14, H 48: 5c. Songe d'une nuit du Sabbat - Ronde du Sabbat | Hector Berlioz, Chicago Symphony Orchestra, Claudio Abbado | G Major | 4 | 9B | 123 BPM | ||
Symphony No. 7 in E Major, WAB 107 (Ed. Haas): III. Scherzo. Sehr schnell - Trio. Etwas langsamer | Anton Bruckner, Wiener Philharmoniker, Herbert von Karajan | F Major | 2 | 7B | 74 BPM | ||
Notturno for Strings and Harp: Lento | Irving Fine, Gerard Schwarz, New York Chamber Symphony | D Major | 2 | 10B | 147 BPM | ||
Piano Quartet No. 2 in G Minor, Op. 45: III. Adagio non troppo | Gabriel Fauré, Trio Wanderer, Antoine Tamestit | B♭ Major | 2 | 6B | 104 BPM | ||
Taras Bulba: 2. The Death Of Ostap | Leoš Janáček, Bavarian Radio Symphony Orchestra, Rafael Kubelik | D♭ Minor | 1 | 12A | 118 BPM | ||
Ein Heldenleben, Op. 40, TrV 190: VI. Gewissheit des Sieges | Richard Strauss, Orchestre Symphonique de Montréal, Rafael Payare | F Major | 0 | 7B | 131 BPM | ||
Chamber Concerto for Piano and Violin with 13 Wind Instruments: IIIa. Rondo ritmico con introduzione (cadenza) - Introduzione | Alban Berg, Pierre Boulez, BBC Symphony Orchestra | D Minor | 1 | 7A | 82 BPM | ||
Symphony No. 2 "The Age of Anxiety" / Part 1 / 2. The Seven Ages: Variation 3. Largamente, ma mosso | Leonard Bernstein, Krystian Zimerman, Berliner Philharmoniker, Sir Simon Rattle | A Major | 1 | 11B | 140 BPM | ||
Serenade, Op. 1: II. Andante con moto | Samuel Barber, Royal Scottish National Orchestra, Marin Alsop | D♭ Major | 0 | 3B | 83 BPM | ||
Suite for Violin and Piano, Op. 6: IV. Lullaby: Lento tranquillo | Benjamin Britten, Matthew Jones, Annabel Thwaite | E Minor | 2 | 9A | 123 BPM |
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