Max Lorenz, Orchester Der Staatsoper Berlin's 'Die Welt ist nur ein Traum (Die Macht des Schicksals)' came out on August 22, 2006. With this song being around four minutes long, at 3:53, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Max Lorenz's "Max Lorenz - The complete Electrola Recordings" album is number 11 out of 33. On top of that, Austria appears to be the country where this track was created. In terms of popularity, Die Welt ist nur ein Traum (Die Macht des Schicksals) is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Die Welt ist nur ein Traum (Die Macht des Schicksals) by Max Lorenz, Orchester Der Staatsoper Berlin to be Andante (at a walking pace) because the track has a tempo of 107 BPM, a half-time of 54BPM, and a double-time of 214 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 5/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Hei, nun! Wie du kamst? (Tristan und Isolde) | Margarete Klose, Erich Zimmermann, Felix Fleischer, Max Lorenz, Ludwig Hofmann, Chor Der Staatsoper Berlin, Paula Buchner, Staatskapelle Berlin, Benno Arnold, Jaro Prohaska, Eugen Fuchs | F Major | 3 | 7B | 84 BPM | ||
歌剧《被出卖的新娘》序曲 | NHK交响乐团 | E Minor | 1 | 9A | 149 BPM | ||
节日序曲 | 上海音协室内乐队 | C Major | 1 | 8B | 86 BPM | ||
Armida: Overture | Gioachino Rossini, Donato Renzetti, Orchestra Filarmonica Gioachino Rossini | D Major | 1 | 10B | 81 BPM | ||
O Fürstin! (Tannhäuser) | Max Lorenz, Orchester Der Staatsoper Berlin, Käthe Heidersbach | A♭ Major | 3 | 4B | 90 BPM | ||
Studies for the Piano, Op. 65: No. 4 Allegretto | The Gerst Ensemble | D Major | 0 | 10B | 98 BPM | ||
Gotterdammerung (Twilight of the Gods): Act III Scene 2: Siegfrieds Trauermarsch (Siegfried's Funeral March) | Richard Wagner, Max Lorenz, Joseph Hermann, Ludwig Weber, Alois Pernerstorfer, Kirsten Flagstad, Hilde Konetzni, Elisabeth Höngen, Margret Weth-Falke, Margareta Kenney, Magda Gabory, Sieglinde Wagner, Milan La Scala Chorus, Orchestra Del Teatro Alla Scala, Milano, Wilhelm Furtwängler | B♭ Minor | 3 | 3A | 118 BPM | ||
Stabat Mater, FP 148: X. Fac ut portem | Francis Poulenc, Marianne Croux, Ensemble Aedes, Les Siècles | D♭ Major | 1 | 3B | 175 BPM | ||
Gotterdammerung (Twilight of the Gods): Prologue: Mehr gabst du, Wunderfrau (Siegfried, Brunnhilde) | Richard Wagner, Max Lorenz, Hermann Uhde, Gustav Neidlinger, Josef Greindl, Astrid Varnay, Martha Mödl, Ruth Siewert, Melanie Bugarinovich, Erika Zimmermann, Hanna Ludwig, Hertha Töpper, Bayreuth Festival Chorus, Bayreuth Festival Orchestra, Joseph Keilberth | D♭ Major | 1 | 3B | 93 BPM | ||
Debussy: Prélude à l’après-midi d’un faune, CD 87, L. 86 | Claude Debussy, Sir John Barbirolli, Hallé | D♭ Minor | 1 | 12A | 79 BPM |
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