"Act One" by Carlo Bergonzi, Orchestra of the Accademia di Santa Cecilia & Roma, Tullio Serafin was released on October 11, 2011. With this song being about 5 minutes long, at 4:55, "Act One" by Carlo Bergonzi, Orchestra of the Accademia di Santa Cecilia & Roma, Tullio Serafin is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Various Artists's "La Bohème (plus five bonus Puccini arias)" album is number 7 out of 39. On top of that, United States appears to be the country where this track was created. In terms of popularity, Act One is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Act One by Carlo Bergonzi, Orchestra of the Accademia di Santa Cecilia & Roma, Tullio Serafin to be Andante (at a walking pace) because the track has a tempo of 90 BPM, a half-time of 45BPM, and a double-time of 180 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 3/4.
A♭ Major is the music key of this track. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Carmen / Act 2: Chanson: "Les tringles des sistres tintaient" | Georges Bizet, Elina Garanca, Cristina Antoaneta Pasaroiu, Giuseppina Bridelli, Orchestra Sinfonica Nazionale Della RAI, Karel Mark Chichon | C Major | 1 | 8B | 111 BPM | ||
Così fan tutte, K.588 / Act 1: "Soave sia il vento" | Wolfgang Amadeus Mozart, Lucia Popp, Brigitte Fassbaender, Tom Krause, Vienna Haydn Orchestra, István Kertész | F Major | 6 | 7B | 118 BPM | ||
Samson et Dalila / Act 2: "Mon coeur s'ouvre à ta voix" | Camille Saint-Saëns, Elena Obraztsova, Plácido Domingo, Orchestre de Paris, Daniel Barenboim | D♭ Major | 2 | 3B | 88 BPM | ||
Di quella pira | Mario del Monaco | C Major | 3 | 8B | 172 BPM | ||
Fedora / Act 2: "Amor ti vieta" | Umberto Giordano, Roberto Alagna, Orchestra of the Royal Opera House, Covent Garden, Sir Mark Elder | C Major | 1 | 8B | 91 BPM | ||
Die Walküre, WWV 86B / Act 1: "Winterstürme wichen dem Wonnemond" | Richard Wagner, Jonas Kaufmann, Mahler Chamber Orchestra, Claudio Abbado | F Major | 2 | 7B | 145 BPM | ||
Un Ballo in Maschera: Forse la soglia attinse... Ma se m´è forza perderti | Carlo Bergonzi, Gianandrea Gavazzeni, Orchestra dell'Accademia Nazionale di Santa Cecilia | A♭ Major | 2 | 4B | 132 BPM | ||
Les Contes d'Hoffmann / Prologue: "Va pour Kleinzach...Il était une fois à la cour" | Jacques Offenbach, Plácido Domingo, Pedro Di Proenza, Choeur de la Radio Suisse Romande, Pro Arte Choir, Lausanne, Choeur Du Brassus, Orchestre de la Suisse Romande, Richard Bonynge | A Minor | 3 | 8A | 97 BPM | ||
Adriana Lecouvreur: La dolcissima effigie | Francesco Cilea, Piotr Beczala, Orquestra de la Comunitat Valenciana, Marco Boemi | A♭ Major | 2 | 4B | 79 BPM | ||
Faust, CG 4 / Act 3: "Quel trouble inconnu...Salut! Demeure chaste et pure" | Charles Gounod, Luciano Pavarotti, Vienna Volksoper Orchestra, Leone Magiera | A♭ Major | 2 | 4B | 174 BPM |
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