- BPM
- 88
- Key
- G Major
- Camelot
- 9B
Die Walküre, WWV 86B: Ritt der Walküren - Richard Wagner, Barry Tuckwell, London Symphony Orchestra Information
- Acousticness
- 94%
- Danceability
- 20%
- Energy
- 24%
- Instrumentalness
- 92%
- Liveness
- 8%
- Loudness
- 73%
- Speechiness
- 3%
- Valence
- 9%
- Popularity
- 34%
- Loudness
- -16.074 dB
Summary
"Die Walküre, WWV 86B: Ritt der Walküren" by Richard Wagner, Barry Tuckwell, London Symphony Orchestra was released on January 1, 2005. Die Walküre, WWV 86B: Ritt der Walküren is about six minutes long, preciously at 5:33, making this song fairly long compared to other songs. This song is part of Wagner: Preludes and Overtures by Richard Wagner, London Symphony Orchestra, Barry Tuckwell. The song's track number on the album is #4 out of 6 tracks. Based on our data, United Kingdom was the country where this track was produced or recorded. Die Walküre, WWV 86B: Ritt der Walküren is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Die Walküre, WWV 86B: Ritt der Walküren BPM
Since Die Walküre, WWV 86B: Ritt der Walküren by Richard Wagner, Barry Tuckwell, London Symphony Orchestra has a tempo of 88 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Die Walküre, WWV 86B: Ritt der Walküren being at 88 BPM, the half-time would be 44 BPM with a double-time of 176 BPM.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 3/4.
Die Walküre, WWV 86B: Ritt der Walküren Key
This song has a musical key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Palladio: 1. Allegretto (arr. for Strings Orchestra) | Karl Jenkins, Carmine Lauri, David Alberman, London Symphony Orchestra | D Minor | 3 | 7A | 90 BPM | |
 | The Legend Spreads | James Horner, London Symphony Orchestra | G Major | 4 | 9B | 78 BPM | |
 | Die Forelle, Op. 32, D. 550 | Franz Schubert, Dietrich Fischer-Dieskau, Gerald Moore | E♭ Major | 1 | 5B | 102 BPM | |
| Making Plans / Gathering the Clans | James Horner, London Symphony Orchestra | G Major | 2 | 9B | 127 BPM | |
 | Variationen über die österreichische Kaiserhymne (1) (Concerto Imperiale) | European Philharmonic Orchestra | E Minor | 4 | 9A | 110 BPM | |
 | Prokofiev: Romeo and Juliet (Complete Ballet), Op. 64, Act 2: No. 35, Romeo decides to avenge Mercutio's Death | Sergei Prokofiev, André Previn, London Symphony Orchestra | F Major | 4 | 7B | 103 BPM | |
| Freedom / The Execution Bannockburn | James Horner, London Symphony Orchestra | D Major | 1 | 10B | 123 BPM | |
 | Holst: The Planets, Op. 32: I. Mars, the Bringer of War | Gustav Holst, Royal Liverpool Philharmonic Orchestra, Sir Charles Mackerras | F Minor | 3 | 4A | 78 BPM | |
 | Symphonie fantastique, Op. 14, H 48: IV. Marche au supplice | Hector Berlioz, London Symphony Orchestra, Sir Colin Davis | B♭ Major | 1 | 6B | 155 BPM | |
 | Giselle: No. 22 - Allegro con moto | Adolphe Adam, London Symphony Orchestra, Michael Tilson Thomas | F Major | 0 | 7B | 82 BPM |
- ISRC
- GBDGQ0598108
- Label
- L-M Records/RCA Records
Section: 0.6294565200805664
End: 0.6336448192596436