Joaquín Rodrigo, Julian Bream, Leo Brouwer, RCA Victor Chamber Orchestra's 'Fantasía para un Gentilhombre: Ib. Ricercare' came out on 2004. The duration of Fantasía para un Gentilhombre: Ib. Ricercare is about two minutes long, specifically at 2:28. This song does not appear to have any foul language. Fantasía para un Gentilhombre: Ib. Ricercare's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Joaquín Rodrigo, Julian Bream, John Eliot Gardiner's "Joaquin Rodrigo: Concierto de Aranjuez; Tres piezas espanolas; Fantasía para un gentil hombre - Sony Classical Masters" album is number 10 out of 14. On top of that, United States appears to be the country where this track was created. Fantasía para un Gentilhombre: Ib. Ricercare is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Fantasía para un Gentilhombre: Ib. Ricercare by Joaquín Rodrigo, Julian Bream, Leo Brouwer, RCA Victor Chamber Orchestra to be Andante (at a walking pace) because the track has a tempo of 81 BPM, a half-time of 40BPM, and a double-time of 162 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Suite for Two Guitars: I. Corant I | William Lawes, Julian Bream, John Williams | D Major | 1 | 10B | 179 BPM | ||
5 Bagatelles: III. Alla Cubana | William Walton, Ana Vidovic | B Minor | 1 | 10A | 74 BPM | ||
Concerto a 5 in B flat, Op.7, no.10 for Strings and Continuo: 3. Allegro | Tomaso Albinoni, I Musici | B♭ Major | 2 | 6B | 107 BPM | ||
Campanas del Alba | Eduardo Sainz De La Maza, Johannes Möller | B Minor | 1 | 10A | 84 BPM | ||
12 Concertos, Op.3 - "L'estro Armonico" / Concerto No. 6 In A Minor For Solo Violin, RV 356: 1. Allegro | Antonio Vivaldi, Angel Romero, Academy of St. Martin in the Fields, Iona Brown | A Minor | 3 | 8A | 108 BPM | ||
Les baricades mystérieuses - Arranged By Göran Söllscher | François Couperin, Göran Söllscher | B♭ Major | 1 | 6B | 138 BPM | ||
Elegie: Elegy | Johann Kaspar Mertz, Gabriel Bianco | A Minor | 0 | 8A | 133 BPM | ||
Pasaje aragueno | Antonio Lauro, Victor Villadangos | A Major | 2 | 11B | 106 BPM | ||
Concierto de Aranjuez for Guitar and Orchestra: 2. Adagio | Joaquín Rodrigo, Alexandre Lagoya, Orchestre National de l'Opéra de Monte-Carlo, Antonio de Almeida | B Minor | 1 | 10A | 107 BPM | ||
Overture in D Minor, TWV 55:2: Rondeau | Georg Philipp Telemann, Collegium Instrumentale Brugense, Patrick Peire | D Minor | 1 | 7A | 83 BPM |
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