"Concerto a 5 in F, Op.7, No.9 for Oboe, Strings and Continuo: 2. Adagio" by Tomaso Albinoni, Heinz Holliger, Hans Elhorst, Camerata Bern, Alexander van Wijnkoop was released on January 1, 2000. With Concerto a 5 in F, Op.7, No.9 for Oboe, Strings and Continuo: 2. Adagio being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The song is number 15 out of 25 in Albinoni: Adagio & Concerti by Tomaso Albinoni, Hans-Martin Linde, Hans Elhorst, David Reichenberg, Heinz Holliger, Eduard Kaufmann, Lucerne Festival Strings, Rudolf Baumgartner, The English Concert, Trevor Pinnock, Collegium Musicum Zürich, Paul Sacher, Camerata Bern, Alexander van Wijnkoop. Concerto a 5 in F, Op.7, No.9 for Oboe, Strings and Continuo: 2. Adagio is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Concerto a 5 in F, Op.7, No.9 for Oboe, Strings and Continuo: 2. Adagio by Tomaso Albinoni, Heinz Holliger, Hans Elhorst, Camerata Bern, Alexander van Wijnkoop is Andante (at a walking pace), since this song has a tempo of 79 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song has a musical key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Album Leaf for Kateřina Kolářová in B Major, JB 1:20 | Bedřich Smetana, Jitka Čechová | B Major | 0 | 1B | 70 BPM | ||
12 Concerti a 5, Op.5 - Concerto a5, Op.5 No.5: 1. Allegro | Tomaso Albinoni, I Musici, Pina Carmirelli | A Minor | 2 | 8A | 123 BPM | ||
Sinfonia for Strings in G major, RV 149: III. Allegro | Karoly Botvay | D Major | 1 | 10B | 146 BPM | ||
Albinoni: Concerto for Two Oboes in F Major, Op. 9 No. 3: III. Allegro | Tomaso Albinoni, Claudio Scimone, Jacques Chambon, Pierre Pierlot, I Solisti Veneti | G Major | 2 | 9B | 133 BPM | ||
Concerto Grosso In D Major, Op. 6, No. 1 : I. Largo | Arcangelo Corelli, Ludovit Kanta, Quido Holbling, Anna Holbling, Daniela Ruso, Capella Istropolitana | A Major | 1 | 11B | 81 BPM | ||
Hummel: Trumpet Concerto In E Flat - Iii Rondo | Johann Nepomuk Hummel, Tine Thing Helseth | E♭ Major | 2 | 5B | 144 BPM | ||
Artaserse: Se al labbro mio non credi - Instrumental Version | Christophe Rousset, Les Talens Lyriques | E Minor | 0 | 9A | 133 BPM | ||
Il prigioniero fortunato: Sinfonia: III. Allegro | Alessandro Scarlatti, Concerto de' Cavalieri, Marcello di Lisa | D♭ Major | 4 | 3B | 77 BPM | ||
Viola Concerto in G Major, TWV 51:G9: I. Largo | Georg Philipp Telemann, Ladislav Kyselák, Capella Istropolitana, Richard Edlinger | G Major | 1 | 9B | 144 BPM | ||
Alcidiane: Petite Chaconne | Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon | B Major | 0 | 1B | 150 BPM |
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