On December 10, 2013, the song "Zapateado from La Tempranica" was released by Victoria de los Ángeles, Orquesta Nacional De España, Rafael Frühbeck de Burgos. With Zapateado from La Tempranica being less than two minutes long, at 1:32, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Various Artists's "La Zarzuela - 100 Momentos Antológicos" album is number 82 out of 100. On top of that, United Kingdom appears to be the country where this track was created. Zapateado from La Tempranica is below average in popularity right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Zapateado from La Tempranica by Victoria de los Ángeles, Orquesta Nacional De España, Rafael Frühbeck de Burgos to be Adagio (slowly with great expression) because the track has a tempo of 74 BPM, a half-time of 37BPM, and a double-time of 148 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
The music key of this track is C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Louise (1997 Digital Remaster): Depuis le jour où je me suis donnée | Maria Callas, The Orchestra National De La Radiodiffusion Francaise, Georges Prêtre | G Major | 1 | 9B | 95 BPM | ||
Lucrezia Borgia / Act 2: Era desso il figlio mio | Gaetano Donizetti, Renée Fleming, Coro del Maggio Musicale Fiorentino, Orchestra of St. Luke's, Patrick Summers | B♭ Minor | 1 | 3A | 98 BPM | ||
La Bohème (1991 Digital Remaster), Act I: Sì. Mi chiamano Mimì (Mimì/Rodolfo) | Giacomo Puccini, Nicolai Gedda, Thomas Schippers, Orchestra Del Teatro Dell'Opera Di Roma | D Major | 1 | 10B | 181 BPM | ||
Gluck: Orphée et Eurydice, Act 3: "J'ai perdu mon Eurydice" (Orphée) | Christoph Willibald Gluck, Susan Graham, Harry Bicket, Orchestra of the Age of Enlightenment | E Minor | 1 | 9A | 79 BPM | ||
Il Barbiere di Siviglia, Act I, Scene One: Ecco ridente in cielo (Conte) | Gioachino Rossini, Alceo Galliera, Philharmonia Orchestra & Chorus, Luigi Alva | C Major | 1 | 8B | 130 BPM | ||
Falla: 7 Canciones populares Espanolas: I. El pano moruno, "Al pano fino, en la tienda" (Allegretto vivace) | Manuel de Falla, Victoria de los Ángeles, Gonzalo Soriano | B Minor | 1 | 10A | 95 BPM | ||
La Bohème: Si, mi chiamano Mimì | Mirella Freni, Vienna Volksoper Orchestra, Argeo Quadri | D Major | 1 | 10B | 104 BPM | ||
El Cant dels Ocells | Victoria de los Ángeles | E Minor | 2 | 9A | 114 BPM | ||
Mendelssohn / Orch. Gamley: 6 Songs, Op. 34: No. 2, Auf Flügeln des Gesanges, MWV K86 | Felix Mendelssohn, Victoria de los Ángeles, Sinfonia Of London, Rafael Frühbeck de Burgos | A♭ Major | 1 | 4B | 106 BPM | ||
La Wally: Acto I: "Ebbene, ne Andró Lontana" | Victoria de los Ángeles | E Minor | 2 | 9A | 83 BPM |
Section: 0.9129912853240967
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