- BPM
- 80
- Key
- F Major
- Camelot
- 7B
Third Booke of Songs, 1603: II. Time Stands Still (Arr. Muhly) - John Dowland, Iestyn Davies, Aurora Orchestra, Nicholas Collon Information
- Acousticness
- 99%
- Danceability
- 29%
- Energy
- 12%
- Instrumentalness
- 1%
- Liveness
- 10%
- Loudness
- 71%
- Speechiness
- 5%
- Valence
- 8%
- Popularity
- 10%
- Loudness
- -17.421 dB
Summary
"Third Booke of Songs, 1603: II. Time Stands Still (Arr. Muhly)" by John Dowland, Iestyn Davies, Aurora Orchestra, Nicholas Collon was released on June 12, 2020. With this song being around four minutes long, at 3:42, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Aurora Orchestra, Nicholas Collon's "Music of the Spheres" album is number 6 out of 10. On top of that, Germany appears to be the country where this track was created. Third Booke of Songs, 1603: II. Time Stands Still (Arr. Muhly) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Third Booke of Songs, 1603: II. Time Stands Still (Arr. Muhly) BPM
We consider the tempo marking of Third Booke of Songs, 1603: II. Time Stands Still (Arr. Muhly) by John Dowland, Iestyn Davies, Aurora Orchestra, Nicholas Collon to be Andante (at a walking pace) because the track has a tempo of 80 BPM, a half-time of 40BPM, and a double-time of 160 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
Third Booke of Songs, 1603: II. Time Stands Still (Arr. Muhly) Key
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | An Almaine | Tobias Hume, Labyrinto, Paolo Pandolfo | D♭ Minor | 0 | 12A | 112 BPM | |
 | A Song of Mr Robert Parsons | Robert Parsons, Catherine King, The Rose Consort Of Viols | A♭ Minor | 0 | 1A | 92 BPM | |
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 | Prelude in D Minor | Ennemond Gaultier, Rolf Lislevand | A♭ Minor | 1 | 1A | 107 BPM | |
 | Lute Sonata No. 6: I. Alemanda | Giovanni Zamboni, Luciano Còntini | A♭ Minor | 0 | 1A | 112 BPM | |
 | Basciami Mille Volte a 5 Voci | Luca Marenzio, Rinaldo Alessandrini, Concerto Italiano | G Minor | 1 | 6A | 81 BPM | |
 | Ballo Francese chiamato Petit Rinense (Arr. for Wind Ensemble and Percussion by Nicolas Sansarlat) | Giovanni Ambrosio, Into the Winds | B♭ Major | 1 | 6B | 136 BPM | |
 | Alcidiane: Petite Chaconne | Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon | B Major | 0 | 1B | 150 BPM | |
 | Piper's Pavan, P. 8 | John Dowland, Nigel North | D♭ Minor | 1 | 12A | 76 BPM |
- ISRC
- DEN961902601
- Label
- L-M Records/RCA Records
Section: 0.6761767864227295
End: 0.6797254085540771