"Violin Concerto, Op. 23, "Concentric Paths": I. Rings" by Thomas Adès, Peter Herresthal, The Norwegian Radio Orchestra, Andrew Manze was released on August 1, 2014. With this song being around four minutes long, at 4:17, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 1 out of 6 in Adès: Violin Concerto, Op. 23 by Thomas Adès, Peter Herresthal, The Norwegian Radio Orchestra, Andrew Manze. In terms of popularity, Violin Concerto, Op. 23, "Concentric Paths": I. Rings is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Violin Concerto, Op. 23, "Concentric Paths": I. Rings by Thomas Adès, Peter Herresthal, The Norwegian Radio Orchestra, Andrew Manze is Andante (at a walking pace), since this song has a tempo of 97 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 5/4.
This song has a musical key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Last Spring (Arr. for Violin and Orchestra from Op. 33 No. 2 by Ben Palmer) | Edvard Grieg, Eldbjørg Hemsing, Arctic Philharmonic | E Major | 1 | 12B | 78 BPM | ||
Simple Symphony, Op. 4: III. Sentimental Sarabande | Benjamin Britten, Camerata Nordica, Terje Tonnesen | G Minor | 0 | 6A | 85 BPM | ||
Symphony No. 5 In C Sharp Minor: 4. Adagietto (Sehr langsam) | Gustav Mahler, Gyeonggi Philharmonic Orchestra, Shi-Yeon Sung | F Major | 0 | 7B | 82 BPM | ||
Lieder ohne Worte, Op. 19: No. 6 Andante sostenuto "Venetianisches Gondellied" (Arr. Ottensamer for Clarinet and Strings) | Felix Mendelssohn, Andreas Ottensamer, Schumann Quartett, Gunars Upatnieks | G Minor | 0 | 6A | 84 BPM | ||
44 Duos for 2 Violins, BB 104, Vol. 1: Parosito (Teasing Song) | Béla Bartók, György Pauk, Kazuki Sawa | B Minor | 0 | 10A | 112 BPM | ||
Dreaming, Op. 15 No. 3 | Amy Beach, Ambache | F Major | 0 | 7B | 75 BPM | ||
Le rossignol, K18: II. Marche chinoise (Arr. Stravinsky & Dushkin for Violin & Piano) | Igor Stravinsky, Anthony Marwood, Thomas Adès | D Minor | 2 | 7A | 100 BPM | ||
Symphony No. 1 in C Major, Op. 21: II. Andante cantabile con moto | Ludwig van Beethoven, Thomas Adès, Britten Sinfonia | D Major | 1 | 10B | 138 BPM | ||
Le rossignol, K18: I. Airs du rossignol (Arr. Stravinsky & Dushkin for Violin & Piano) | Igor Stravinsky, Anthony Marwood, Thomas Adès | D Minor | 2 | 7A | 100 BPM | ||
Pastorale d'été, H. 31 | Arthur Honegger, Oliver Zeffman, Academy of St. Martin in the Fields | A Major | 1 | 11B | 65 BPM |
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