"Don Quixote (arr. A. Goldstone): Act III: Coda" by Anthony Goldstone, Ludwig Minkus was released on April 1, 2013. With Don Quixote (arr. A. Goldstone): Act III: Coda being less than two minutes long, at 1:22, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 31 in the song's album "The Piano at the Ballet". In this album, this song's track order is #10. Based on our statistics, Don Quixote (arr. A. Goldstone): Act III: Coda's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Don Quixote (arr. A. Goldstone): Act III: Coda by Anthony Goldstone, Ludwig Minkus having a BPM of 149 with a half-time of 74 BPM and a double-time of 298 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
G Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Masquerade Suite: I. Waltz (Arr. for Piano Duet by Kondratiev, Revised by Drislane) | Aram Khachaturian, Michael Drislane | E Minor | 2 | 9A | 101 BPM | ||
Huit Nocturnes, Op. 368: No. 4 in D-Flat Major | Carl Czerny, Isabelle Oehmichen | D♭ Major | 0 | 3B | 134 BPM | ||
Don Quixote (arr. A. Goldstone): Introduction and Adagio | Anthony Goldstone, Ludwig Minkus | E♭ Major | 1 | 5B | 76 BPM | ||
Serenade in C Major, Op. 48 (arr. M. Lippold and A. Goldstone for piano): III. Elegie | Anthony Goldstone, Pyotr Ilyich Tchaikovsky, Max Lippold | D Major | 1 | 10B | 167 BPM | ||
Swan Lake, Op. 20 (arr. N. Kashkin for piano): Act I The terrace in front of the palace of Prince Siegfried: No. 4. Pas de trois: V. Allegro | Pyotr Ilyich Tchaikovsky, Nikolay Kashkin, Anthony Goldstone | F Major | 2 | 7B | 114 BPM | ||
Scheherazade, Op. 35 (version for piano 4-hands): III. Andantino quasi allegretto | Nikolai Rimsky-Korsakov, Caroline Clemmow, Anthony Goldstone | A Major | 2 | 11B | 202 BPM | ||
La Jota Aragonesa, Op. 14 | Louis Moreau Gottschalk, Anthony Goldstone, Caroline Clemmow | F Major | 1 | 7B | 85 BPM | ||
Mazurkas, Op. 68: No. 3 in F Major | Frédéric Chopin, Rinko Kobayashi | F Major | 1 | 7B | 119 BPM | ||
6 Favoritwalzer: No. 4, J. 146 | Carl Maria von Weber, Michael Endres | A Major | 1 | 11B | 138 BPM | ||
10 Pensees Lyriques, Op. 40: No. 1. Valsette | Håvard Gimse, Jean Sibelius | E Minor | 0 | 9A | 63 BPM |
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