- BPM
- 78
- Key
- D Minor
- Camelot
- 7A
Psalm 129, "Ils m'ont assez opprime" - Lili Boulanger, Namur Symphonic Choir, Luxembourg Philharmonic Orchestra, Mark Stringer Information
- Acousticness
- 97%
- Danceability
- 7%
- Energy
- 11%
- Instrumentalness
- 83%
- Liveness
- 9%
- Loudness
- 63%
- Speechiness
- 4%
- Valence
- 4%
- Popularity
- 14%
- Loudness
- -22.223 dB
Summary
"Psalm 129, "Ils m'ont assez opprime"" by Lili Boulanger, Namur Symphonic Choir, Luxembourg Philharmonic Orchestra, Mark Stringer was released on January 1, 2007. Since Psalm 129, "Ils m'ont assez opprime" is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 3 out of 7 in Boulanger, L.: Psalms - 24, 129, 130 / Pour Les Funerailles D'Un Soldat / D'Un Soir Triste / Vieille Priere Bouddhique by Lili Boulanger, Mark Stringer. Psalm 129, "Ils m'ont assez opprime" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Psalm 129, "Ils m'ont assez opprime" BPM
The tempo marking of Psalm 129, "Ils m'ont assez opprime" by Lili Boulanger, Namur Symphonic Choir, Luxembourg Philharmonic Orchestra, Mark Stringer is Andante (at a walking pace), since this song has a tempo of 78 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
Psalm 129, "Ils m'ont assez opprime" Key
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Lieder ohne Worte, Op. 19: No. 6 Andante sostenuto "Venetianisches Gondellied" (Arr. Ottensamer for Clarinet and Strings) | Felix Mendelssohn, Andreas Ottensamer, Schumann Quartett, Gunars Upatnieks | G Minor | 0 | 6A | 84 BPM | |
 | Souvenir d'un lieu cher, Op. 42: III. Mélodie (Ed. Herrmann) | Pyotr Ilyich Tchaikovsky, Daniel Lozakovich, Stanislav Soloviev | E♭ Major | 1 | 5B | 178 BPM | |
 | Piano Concerto No. 2 in F Major, Op. 102: I. Allegro | Dmitri Shostakovich, I Musici de Montréal, Maxim Shostakovich | B♭ Major | 3 | 6B | 160 BPM | |
 | Debussy: Piano Trio in G Major, L. 5: I. Andantino con moto allegro | Claude Debussy, Bertrand Chamayou | C Major | 1 | 8B | 80 BPM | |
 | Gretchen am Spinnrade, D. 118 (Arr. for Piano by Franz Liszt) | Franz Schubert, Yuja Wang | C Major | 3 | 8B | 78 BPM | |
 | Haydn: Cello Concerto No. 1 in C Major, Hob. VIIb, 1: II. Adagio (Cadenza by Britten) | Franz Joseph Haydn, Mstislav Rostropovich, Academy of St. Martin in the Fields | F Major | 1 | 7B | 124 BPM | |
 | Nocturnes, Op. 27: No. 2 in D-Flat Major | Frédéric Chopin, Arthur Rubinstein | D♭ Major | 0 | 3B | 77 BPM | |
 | Nocturne No. 12 In G Major, H. 58d: Nocturne No. 12 In G Major | Benjamin Frith, John Field | G Major | 0 | 9B | 125 BPM | |
 | Romance | Germaine Tailleferre, Adriano Spampanato | D♭ Minor | 1 | 12A | 71 BPM | |
 | La damoiselle élue, L. 62: Prélude | Claude Debussy, Víkingur Ólafsson | G Major | 1 | 9B | 61 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.7126882076263428
End: 0.716627836227417