Franz Joseph Haydn, London Symphony Orchestra, Sir Colin Davis's 'Symphony No. 92 in G Major, Hob. 1:92 "Oxford Symphony": I. Adagio - Allegro spiritoso' came out on June 30, 2014. Since Symphony No. 92 in G Major, Hob. 1:92 "Oxford Symphony": I. Adagio - Allegro spiritoso is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Franz Joseph Haydn, London Symphony Orchestra, Sir Colin Davis's "Haydn: Symphonies Nos. 92, 93, & 97-99" album is number 1 out of 20. Based on our statistics, Symphony No. 92 in G Major, Hob. 1:92 "Oxford Symphony": I. Adagio - Allegro spiritoso's popularity is below average in popularity right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Symphony No. 92 in G Major, Hob. 1:92 "Oxford Symphony": I. Adagio - Allegro spiritoso by Franz Joseph Haydn, London Symphony Orchestra, Sir Colin Davis to be Allegro (fast, quick, and bright) because the track has a tempo of 126 BPM, a half-time of 63BPM, and a double-time of 252 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Auf dem Wasser zu singen, D. 774 - Transcription: Franz Liszt, Searle 558 No. 2 | Franz Schubert, Evgeny Kissin | E♭ Major | 0 | 5B | 71 BPM | ||
Symphony No. 9 in E Minor, Op. 95 "From the New World": III. Scherzo. Molto vivace - Live | Antonín Dvořák, London Symphony Orchestra, Sir Colin Davis | C Major | 0 | 8B | 74 BPM | ||
Symphony No.40 in G minor, K.550: I. Molto allegro | London Symphony Orchestra, Leopold Ludwig | G Minor | 2 | 6A | 105 BPM | ||
Symphony No. 4 in C Minor, D. 417, "Tragic": II. Andante | Franz Schubert, Sir Colin Davis | D♭ Major | 0 | 3B | 120 BPM | ||
Variations on an Original Theme, Op. 36, "Enigma": Theme - Andante | Edward Elgar, Sir Colin Davis, London Symphony Orchestra | G Minor | 0 | 6A | 91 BPM | ||
The 4 Seasons: Violin Concerto in E major, Op. 8, No. 1, RV 269, "La primavera" (Spring): II. Largo e pianissimo sempre | Karoly Botvay | D♭ Minor | 0 | 12A | 88 BPM | ||
Oboe Concerto in C Major, Op. 9, No. 5: I. Allegro | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | C Major | 3 | 8B | 108 BPM | ||
Symphony No. 1 in G Minor: I. Allegro | Étienne Nicolas Méhul, Christoph Konig, Soloists Européens Luxembourg | G Minor | 3 | 6A | 90 BPM | ||
Die Jahreszeiten (The Seasons), Hob.XXI:3: Der Fruhling (Spring): Introduction and Recitative: Seht, wie der strenge Winter (Simon, Lukas, Hanne) | Joseph Haydn, Sibylla Rubens, Andreas Karasiak, Stephan MacLeod, Gewandhaus Chamber Choir, Leipzig Chamber Orchestra, Morten Schuldt-Jensen | E♭ Major | 1 | 5B | 117 BPM | ||
Double Concerto in A Minor, Op. 102 for Violin, Cello and Orchestra: III. Vivace non troppo | Johannes Brahms, Joshua Bell, Steven Isserlis, Academy of St. Martin in the Fields | A Minor | 2 | 8A | 86 BPM |
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