Lee Hyla, Aleck Karis, William Purvis made "Concerto for Piano and Chamber Orchestra No. 2: III." available on January 1, 1996. With Concerto for Piano and Chamber Orchestra No. 2: III. being less than two minutes long, at 1:05, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Lee Hyla, Speculum Musicae's "Lee Hyla: We Speak Etruscan" album is number 9 out of 10. In terms of popularity, Concerto for Piano and Chamber Orchestra No. 2: III. is currently unknown. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of Concerto for Piano and Chamber Orchestra No. 2: III. by Lee Hyla, Aleck Karis, William Purvis to be Andante (at a walking pace) because the track has a tempo of 105 BPM, a half-time of 52BPM, and a double-time of 210 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Clarinet Serenade: Gypsy Lament | Mitar Popescu | C Major | 4 | 8B | 92 BPM | ||
A. Scotto: Emma at the park | Aurelio Scotto, ReWind Quintet | G Major | 1 | 9B | 87 BPM | ||
Stravinsky: Concerto for String Orchestra in D Major: I. Vivace | Igor Stravinsky, Sir Neville Marriner, Los Angeles Chamber Orchestra | D Major | 1 | 10B | 97 BPM | ||
Pan og Syrinx, Op. 49, FS 87 | Carl Nielsen, Bergen Philharmonic Orchestra, Edward Gardner | C Major | 0 | 8B | 87 BPM | ||
And Tired From Happiness, They Started to Dance: I. Shadows in the Mirror | Jüri Reinvere, Estonian Festival Orchestra, Paavo Järvi | G Major | 2 | 9B | 85 BPM | ||
Contes Marins Rhapsody | Anna Bondareva | E♭ Major | 2 | 5B | 144 BPM | ||
Mégalithes, Version 3: II. 5-2 - III. 97 | Gérard Grisey, Brynjar Kolbergsrud, Anne Marit Harbek, Benjamin Setsaas, Abel Pérez Armas, Thomas Gimse, Erlend Tynning Larsen, Nicolai Heuer, Marie Nøkleby Hanssen, Runa Eid Hermansen, Halvor Ovenstrøm, Erlend Aagaard-Nilsen, Jørgen Arnesen, Marie Solum Gran, Ingebjørg Bruket, Berger Iver Færder, Halldis Rønning | A Minor | 1 | 8A | 122 BPM | ||
Martin: Ballade II | Frank Martin, David Bruchez, Ariane Haering | A♭ Minor | 0 | 1A | 129 BPM | ||
Tromsö 2018 IV | Christian Lindberg, MIN Ensemble | C Major | 0 | 8B | 70 BPM | ||
Under Water | TimeTunes | G Major | 1 | 9B | 76 BPM |
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