George Gershwin, Andreas Ottensamer, Julien Quentin made "Three Preludes: I. Allegro ben ritmato e deciso (Adapted for Clarinet and Piano by Ottensamer)" available on January 22, 2021. With Three Preludes: I. Allegro ben ritmato e deciso (Adapted for Clarinet and Piano by Ottensamer) being less than two minutes long, at 1:48, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. Because this song is the only song in Gershwin: Three Preludes: I. Allegro ben ritmato e deciso (Adapted for Clarinet and Piano by Ottensamer) [Musical Moments] and no other songs are present in the album, we classify this track as a single. The popularity of Three Preludes: I. Allegro ben ritmato e deciso (Adapted for Clarinet and Piano by Ottensamer) is currently below average in popularity right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Three Preludes: I. Allegro ben ritmato e deciso (Adapted for Clarinet and Piano by Ottensamer) by George Gershwin, Andreas Ottensamer, Julien Quentin to be Presto (very, very fast) because the track has a tempo of 194 BPM, a half-time of 97BPM, and a double-time of 388 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 4/4.
This song is in the music key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Malagueña | Fritz Kreisler, Isaac Albéniz, Laurent Korcia, Haruko Ueda | E Major | 2 | 12B | 120 BPM | ||
Sonata in G Major, KK. 455 | Domenico Scarlatti, Yuja Wang | G Major | 1 | 9B | 139 BPM | ||
Sonata in E Major, K. 380 | Domenico Scarlatti, Khatia Buniatishvili | B Major | 0 | 1B | 84 BPM | ||
Franck: Prélude, fugue et variation, Op. 18, FWV 30: Prélude | César Franck, Aldo Ciccolini | B Minor | 0 | 10A | 127 BPM | ||
Kreisler: Schön Rosmarin | Fritz Kreisler, Itzhak Perlman | G Major | 2 | 9B | 117 BPM | ||
Estrellita (Arr. Heifetz) | Manuel Ponce, Ray Chen, Julien Quentin | F♯ Major | 1 | 2B | 83 BPM | ||
Souvenir de Porto Rico (Marcha De Los Jibaros), Op. 31, RO 250 | Louis Moreau Gottschalk, Simon Ghraichy | E♭ Minor | 2 | 2A | 101 BPM | ||
Grand Fantasy on Porgy and Bess: Summertime (after G. Gershwin) | Earl Wild, Isata Kanneh-Mason | A♭ Minor | 1 | 1A | 74 BPM | ||
24 Preludes and Fugues, Op. 87: Prelude No. 1 in C Major | Dmitri Shostakovich, Igor Levit | C Major | 0 | 8B | 162 BPM | ||
Symphony No. 1, "Afro-American": II. Sorrow (Adagio) | William Grant Still, Fort Smith Symphony, John Jeter | F Major | 0 | 7B | 55 BPM |
Section: 0.7899398803710938
End: 0.7952065467834473