"Violin Concerto: Movement Two: Pulse I" by Esa-Pekka Salonen, Leila Josefowicz, Finnish Radio Symphony Orchestra was released on January 1, 2012. With this song being around four minutes long, at 3:31, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 5 in the song's album "Salonen: "Out Of Nowhere" - Violin Concerto; Nyx". In this album, this song's track order is #2. The popularity of Violin Concerto: Movement Two: Pulse I is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Violin Concerto: Movement Two: Pulse I by Esa-Pekka Salonen, Leila Josefowicz, Finnish Radio Symphony Orchestra having a BPM of 174 with a half-time of 87 BPM and a double-time of 348 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.
E♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Jeux d'enfants, Op. 22 WD 56: 3. La poupée | Georges Bizet, Katia Labèque, Marielle Labèque | B Major | 0 | 1B | 64 BPM | ||
The Miraculous Mandarin, Sz. 73: Suddenly the Mandarin's Head Appears Between the Pillows | Béla Bartók, Philharmonia Orchestra, Esa-Pekka Salonen | E Minor | 2 | 9A | 107 BPM | ||
Violin Concerto No. 1 in G Minor, Op. 26: II. Adagio | Max Bruch, Itzhak Perlman, Bernard Haitink, Royal Concertgebouw Orchestra | E♭ Major | 1 | 5B | 87 BPM | ||
Rhapsodie Orientale, Op. 29: 1. Andante | Alexander Glazunov, Orchestre Symphonique de Montréal, Charles Dutoit | D♭ Major | 0 | 3B | 89 BPM | ||
Symphony No. 3 in D Minor: Part 2, III. Wieder sehr gemächlich, beinahe langsam | Gustav Mahler, Esa-Pekka Salonen, Los Angeles Philharmonic | F Major | 0 | 7B | 75 BPM | ||
Carmen Suite No. 1: 1. Prélude | Georges Bizet, Orchestre de Paris, Semyon Bychkov | A Minor | 1 | 8A | 96 BPM | ||
Symphony No. 5 in E-Flat Major, Op. 82: II. Andante mosso, quasi allegretto - Live | Jean Sibelius, Verbier Festival Orchestra, Esa-Pekka Salonen | A♭ Major | 0 | 4B | 74 BPM | ||
Le Grand Macabre (1997 Version): Scene 3: "Up! - Drink! - Up!" | György Ligeti, Esa-Pekka Salonen, Philharmonia Orchestra | A♭ Major | 0 | 4B | 93 BPM | ||
Romeo and Juliet, Op. 64 (Excerpts): Romeo resolves to avenge the death of Mercutio | Sergei Prokofiev, Esa-Pekka Salonen | F Major | 2 | 7B | 162 BPM | ||
Piano Concerto No. 1 in C Major, Op. 11, J. 98: II. Adagio | Carl Maria von Weber, Benjamin Frith, RTE Sinfonietta, Proinnsias O'Duinn | A♭ Major | 0 | 4B | 95 BPM |
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