Six Melodies - performed on Violin and Harp: No.4 (without indication)
John Cage, Gidon Kremer, Naoko Yoshino
Insomnia
2:31 January 1, 1997
BPM
149
Key
D Minor
Camelot
7A

Embed

Share Link

Six Melodies - performed on Violin and Harp: No.4 (without indication) - John Cage, Gidon Kremer, Naoko Yoshino Information

Acousticness
90%
Danceability
39%
Energy
6%
Instrumentalness
0%
Liveness
13%
Loudness
56%
Speechiness
5%
Valence
14%
Popularity
Loudness
-26.103 dB

Summary

"Six Melodies - performed on Violin and Harp: No.4 (without indication)" by John Cage, Gidon Kremer, Naoko Yoshino was released on January 1, 1997. The duration of Six Melodies - performed on Violin and Harp: No.4 (without indication) is about two minutes long, specifically at 2:31. This song does not appear to have any foul language. Six Melodies - performed on Violin and Harp: No.4 (without indication)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Gidon Kremer, Naoko Yoshino's "Insomnia" album is number 15 out of 20. Based on our statistics, Six Melodies - performed on Violin and Harp: No.4 (without indication)'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Six Melodies - performed on Violin and Harp: No.4 (without indication) BPM

We consider the tempo marking of Six Melodies - performed on Violin and Harp: No.4 (without indication) by John Cage, Gidon Kremer, Naoko Yoshino to be Allegro (fast, quick, and bright) because the track has a tempo of 149 BPM, a half-time of 74BPM, and a double-time of 298 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 3/4.

Six Melodies - performed on Violin and Harp: No.4 (without indication) Key

This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Tierkreis, Work No. 41 1/2: No. 7. Leo by Karlheinz Stockhausen, Peter Söderberg, Sven AbergTierkreis, Work No. 41 1/2: No. 7. LeoKarlheinz Stockhausen, Peter Söderberg, Sven AbergE Major012B111 BPM
Adams: Nixon in China: Act I, Scene 1 - (Beginning) by John Adams, Edo de Waart, Orchestra of St. Luke'sAdams: Nixon in China: Act I, Scene 1 - (Beginning)John Adams, Edo de Waart, Orchestra of St. Luke'sA Minor08A105 BPM
Uaxuctum: III. — by Giacinto Scelsi, Concentus Vocalis Griesensis, Vienna Radio Symphony Orchestra, Peter RundelUaxuctum: III. —Giacinto Scelsi, Concentus Vocalis Griesensis, Vienna Radio Symphony Orchestra, Peter RundelB♭ Major06B85 BPM
Douze Notations Pour Piano (1945): Hiératique by Pierre Boulez, Pi-hsien ChenDouze Notations Pour Piano (1945): HiératiquePierre Boulez, Pi-hsien ChenG Major09B84 BPM
Etudes, Book 1: No. 5, Arc-en-ciel by György Ligeti, Khatia BuniatishviliEtudes, Book 1: No. 5, Arc-en-cielGyörgy Ligeti, Khatia BuniatishviliA Major011B130 BPM
Carbon Date Piano by Ernst ReijsegerCarbon Date PianoErnst ReijsegerF Major07B134 BPM
Britten: Holiday Diary, Op. 5: II. Sailing by Benjamin Britten, Stephen HoughBritten: Holiday Diary, Op. 5: II. SailingBenjamin Britten, Stephen HoughD Major010B76 BPM
Music of Changes: I by John Cage, David TudorMusic of Changes: IJohn Cage, David TudorB♭ Minor03A115 BPM
Saegirarenai kyusoku (Uninterrupted Rest): I. Slowly, sadly and as if to converse with by Toru Takemitsu, Kotaro FukumaSaegirarenai kyusoku (Uninterrupted Rest): I. Slowly, sadly and as if to converse withToru Takemitsu, Kotaro FukumaB♭ Major06B112 BPM
Plan & Elevation: II. The Cutting Garden by Caroline Shaw, Attacca QuartetPlan & Elevation: II. The Cutting GardenCaroline Shaw, Attacca QuartetA Minor18A144 BPM
ISRC
This song does not have an ISRC.
Label
L-M Records/RCA Records

Section: 0.6353902816772461

End: 0.6392941474914551