"Six Melodies - performed on Violin and Harp: No.4 (without indication)" by John Cage, Gidon Kremer, Naoko Yoshino was released on January 1, 1997. The duration of Six Melodies - performed on Violin and Harp: No.4 (without indication) is about two minutes long, specifically at 2:31. This song does not appear to have any foul language. Six Melodies - performed on Violin and Harp: No.4 (without indication)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Gidon Kremer, Naoko Yoshino's "Insomnia" album is number 15 out of 20. Based on our statistics, Six Melodies - performed on Violin and Harp: No.4 (without indication)'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Six Melodies - performed on Violin and Harp: No.4 (without indication) by John Cage, Gidon Kremer, Naoko Yoshino to be Allegro (fast, quick, and bright) because the track has a tempo of 149 BPM, a half-time of 74BPM, and a double-time of 298 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Tierkreis, Work No. 41 1/2: No. 7. Leo | Karlheinz Stockhausen, Peter Söderberg, Sven Aberg | E Major | 0 | 12B | 111 BPM | ||
Adams: Nixon in China: Act I, Scene 1 - (Beginning) | John Adams, Edo de Waart, Orchestra of St. Luke's | A Minor | 0 | 8A | 105 BPM | ||
Uaxuctum: III. — | Giacinto Scelsi, Concentus Vocalis Griesensis, Vienna Radio Symphony Orchestra, Peter Rundel | B♭ Major | 0 | 6B | 85 BPM | ||
Douze Notations Pour Piano (1945): Hiératique | Pierre Boulez, Pi-hsien Chen | G Major | 0 | 9B | 84 BPM | ||
Etudes, Book 1: No. 5, Arc-en-ciel | György Ligeti, Khatia Buniatishvili | A Major | 0 | 11B | 130 BPM | ||
Carbon Date Piano | Ernst Reijseger | F Major | 0 | 7B | 134 BPM | ||
Britten: Holiday Diary, Op. 5: II. Sailing | Benjamin Britten, Stephen Hough | D Major | 0 | 10B | 76 BPM | ||
Music of Changes: I | John Cage, David Tudor | B♭ Minor | 0 | 3A | 115 BPM | ||
Saegirarenai kyusoku (Uninterrupted Rest): I. Slowly, sadly and as if to converse with | Toru Takemitsu, Kotaro Fukuma | B♭ Major | 0 | 6B | 112 BPM | ||
Plan & Elevation: II. The Cutting Garden | Caroline Shaw, Attacca Quartet | A Minor | 1 | 8A | 144 BPM |
Section: 0.6353902816772461
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