"Geistliche Chor-Music, Op. 11: No. 23, Selig sind die Toten, SWV 281" by Heinrich Schütz, The Cambridge Singers, Mark Williams, John Rutter was released on March 1, 2009. With this song being around four minutes long, at 4:11, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 20 in the song's album "The Sacred Flame". In this album, this song's track order is #19. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, Geistliche Chor-Music, Op. 11: No. 23, Selig sind die Toten, SWV 281's popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Geistliche Chor-Music, Op. 11: No. 23, Selig sind die Toten, SWV 281 by Heinrich Schütz, The Cambridge Singers, Mark Williams, John Rutter having a BPM of 129 with a half-time of 64 BPM and a double-time of 258 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Mass in E-Flat Major (Cantus missae), Op.109: II. Gloria | Josef Rheinberger, Kammerchor Stuttgart, Ensemble Stuttgart, Frieder Bernius | E♭ Major | 1 | 5B | 137 BPM | ||
Requiem (Version for A Cappella Choir): I. Salvator mundi | Herbert Howells, The Cambridge Singers, John Rutter | G Major | 1 | 9B | 72 BPM | ||
Son of God Mass: Gloria | James Whitbourn, Westminster Williamson Voices, Jeremy Powell, Ken Cowan, James Jordan | D Major | 1 | 10B | 138 BPM | ||
If I Were A Swan | Kevin Puts, Conspirare, Craig Hella Johnson | D♭ Major | 1 | 3B | 85 BPM | ||
Mass for Double Choir: IV. Sanctus - Benedictus | Frank Martin, Westminster Choir, Joe Miller | D Major | 2 | 10B | 122 BPM | ||
Gloriana, Op. 53: Choral Dances: No. 3. Time and Concord | Benjamin Britten, The Cambridge Singers, John Rutter | F Major | 1 | 7B | 0 BPM | ||
Ave verum, Op. 65, No. 1 | Gabriel Fauré, The Cambridge Singers, John Scott, John Rutter | E♭ Major | 1 | 5B | 96 BPM | ||
Magnificat: V. Fecit potentiam | John Rutter, The Cambridge Singers, City of London Sinfonia | A Minor | 0 | 8A | 129 BPM | ||
Erbarm dich mein, o Herre Gott, SWV 148 | Heinrich Schütz, Bremen Weser-Renaissance | C Major | 1 | 8B | 74 BPM | ||
My Spirit Sang All Day | Gerald Finzi, Apollo5 | G Major | 1 | 9B | 76 BPM |
Section: 0.6457583904266357
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