"Magnificat in G Major (2)" by Herbert Sumsion, Gloucester Cathedral Choir, Mark Lee, John Sanders was released on October 11, 1994. With this song being about 5 minutes long, at 5:23, "Magnificat in G Major (2)" by Herbert Sumsion, Gloucester Cathedral Choir, Mark Lee, John Sanders is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Gloucester Cathedral Choir, Mark Lee, John Sanders's "Magnificat & Nunc dimittis, Vol. 1" album is number 7 out of 18. On top of that, United Kingdom appears to be the country where this track was created. Based on our statistics, Magnificat in G Major (2)'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Magnificat in G Major (2) by Herbert Sumsion, Gloucester Cathedral Choir, Mark Lee, John Sanders to be Allegro (fast, quick, and bright) because the track has a tempo of 140 BPM, a half-time of 70BPM, and a double-time of 280 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 5/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Dypt heller året | Paul Hellmuth, Carl Nielsen, Caspar Johannes Boye, Uranienborg Vokalensemble, Elisabeth Holte | A♭ Major | 0 | 4B | 87 BPM | ||
Der er etyndigt land (There is a Lovely Country) | Carl Nielsen, Danish National Vocal Ensemble, Michael Schønwandt | F Major | 1 | 7B | 98 BPM | ||
Israel in Egypt, HWV 54: Part II, The Exodus: He sent a thick darkness over all the land (Chorus) | George Frideric Handel, Laura Albino, Nils Brown, Jennifer Ens Modolo, Peter Mahon, Eve Rachel McLeod, Jason Nedecky, Bud Roach, Jennie Such, Sean Watson, Aradia Ensemble, Kevin Mallon | B Major | 3 | 1B | 108 BPM | ||
3 Psalms, Op. 78: II. Psalm 43 "Richte mich, Gott" | Felix Mendelssohn, RIAS Kammerchor, Marcus Creed | A Minor | 1 | 8A | 91 BPM | ||
6 Chansons: No. 6. Verger | Paul Hindemith, SWR Vokalensemble Stuttgart, Marcus Creed | C Minor | 3 | 5A | 133 BPM | ||
Passion Week, Op. 58: II. I See Thy Bridal Chamber | Alexander Gretchaninov, Phoenix Bach Choir, Kansas City Chorale, Charles Bruffy, Caroline Markham, Paul Davidson, Bryan Taylor | A♭ Minor | 1 | 1A | 70 BPM | ||
Nocturnes: I. Sa Nuit d’Été (Morten Lauridsen, piano) | The Singers - Minnesota Choral Artists | D♭ Major | 0 | 3B | 72 BPM | ||
Hail, Queen of Heaven | The Palestrina Choir, Blanaid Murphy | D♭ Minor | 0 | 12A | 87 BPM | ||
Mass for unaccompanied double choir: I. Kyrie | Frank Martin, RIAS Kammerchor, Daniel Reuss | E Minor | 0 | 9A | 137 BPM | ||
Messe solennelle pour deux orgues et choeur, Op. 16: IV. Benedictus | Louis Vierne, Michel Bouvard | E Major | 0 | 12B | 94 BPM |
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