- BPM
- 71
- Key
- F Major
- Camelot
- 7B
Kinderszenen opus 15: Kinderszenen opus 15: VII. Träumerei - Robert Schumann, Zhu Xiao-Mei Information
- Acousticness
- 100%
- Danceability
- 35%
- Energy
- 1%
- Instrumentalness
- 96%
- Liveness
- 10%
- Loudness
- 40%
- Speechiness
- 5%
- Valence
- 25%
- Popularity
- 40%
- Loudness
- -36.043 dB
Summary
Robert Schumann, Zhu Xiao-Mei's 'Kinderszenen opus 15: Kinderszenen opus 15: VII. Träumerei' came out on January 10, 2012. The duration of Kinderszenen opus 15: Kinderszenen opus 15: VII. Träumerei is about two minutes long, specifically at 2:27. This song does not appear to have any foul language. Kinderszenen opus 15: Kinderszenen opus 15: VII. Träumerei's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 31 in the song's album "Schumann: Davidsbündlertänze & Kinderszenen". In this album, this song's track order is #25. Furthermore, we believe that the track originated from France. Kinderszenen opus 15: Kinderszenen opus 15: VII. Träumerei is average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Kinderszenen opus 15: Kinderszenen opus 15: VII. Träumerei BPM
With Kinderszenen opus 15: Kinderszenen opus 15: VII. Träumerei by Robert Schumann, Zhu Xiao-Mei having a BPM of 71 with a half-time of 36 BPM and a double-time of 142 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
Kinderszenen opus 15: Kinderszenen opus 15: VII. Träumerei Key
This song has a musical key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | The Seasons, Op. 37b: VI. June, "Barcarolle" | Pyotr Ilyich Tchaikovsky, Yefim Bronfman | G Minor | 0 | 6A | 87 BPM | |
 | 3 Etudes Opus 104b: No. 1 in B-Flat Minor | Felix Mendelssohn, Bertrand Chamayou | B♭ Minor | 1 | 3A | 52 BPM | |
 | The Lark Ascending: I. Andante sostenuto | Ralph Vaughan Williams, Hyeyoon Park, Benjamin Grosvenor | E Minor | 0 | 9A | 91 BPM | |
 | Cello Sonata, FP 143: Cavatine: Tres calme | Francis Poulenc, Françoise Groben, Alexandre Tharaud | B♭ Minor | 0 | 3A | 122 BPM | |
 | Pavane, Op. 50 (Version for Piano) | Gabriel Fauré, Lang Lang | A Minor | 1 | 8A | 126 BPM | |
 | Nocturnes, Op. 27: No. 2 in D-Flat Major | Frédéric Chopin, Arthur Rubinstein | D♭ Major | 0 | 3B | 77 BPM | |
 | Schumann: Minnespiel aus Friedrich Rückerts "Liebesfrühling", Op. 101: No. 4, Mein schöner Stern! (Langsam) | Friedrich Rückert, Robert Schumann, Nicolai Gedda | E♭ Major | 1 | 5B | 167 BPM | |
 | 12 Etudes, L.136: 11. Pour les Arpèges composés | Claude Debussy, Mitsuko Uchida | D♭ Major | 0 | 3B | 73 BPM | |
 | Requiem, Op. 48:IV. Pie Jesu (Arr. for Piano) | Gabriel Fauré, Emile Naoumoff | G Major | 1 | 9B | 99 BPM | |
 | Antiche Danze Ed Arie Per Liuto (Ancient Airs And Dances), P. 114: I. Balletto Detto 'Il Conte Orlando' | Ottorino Respighi, Konstantin Scherbakov | D Major | 1 | 10B | 125 BPM |
- ISRC
- FRU621115825
- Label
- L-M Records/RCA Records
Section: 0.8002235889434814
End: 0.8040313720703125