Vincenzo Bellini, Luciano Pavarotti, Kim Begley, Orchestra of the Welsh National Opera, Richard Bonynge made "Norma / Act 1: "Me protegge, me difende"" available on November 11, 1987. The duration of Norma / Act 1: "Me protegge, me difende" is about two minutes long, specifically at 2:39. This song does not appear to have any foul language. Norma / Act 1: "Me protegge, me difende"'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 5 out of 43 in Bellini: Norma by Vincenzo Bellini, Dame Joan Sutherland, Luciano Pavarotti, Montserrat Caballé, Samuel Ramey, Chorus of the Welsh National Opera, Orchestra of the Welsh National Opera, Richard Bonynge. In terms of popularity, Norma / Act 1: "Me protegge, me difende" is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Norma / Act 1: "Me protegge, me difende" by Vincenzo Bellini, Luciano Pavarotti, Kim Begley, Orchestra of the Welsh National Opera, Richard Bonynge is Moderato (at a moderate speed), since this song has a tempo of 116 BPM. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 4/4.
The music key of this track is E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La Gioconda / Act 1: "Voce di donna o d'angelo" | Amilcare Ponchielli, Olga Borodina, Orchestra of the Welsh National Opera, Carlo Rizzi | E♭ Major | 1 | 5B | 78 BPM | ||
Verdi: Il trovatore, Act 3: "Di quella pira, l'orrendo foco" (Manrico, Leonora, Ruiz, Chorus) | Giuseppe Verdi, Antonio Pappano, Angela Gheorghiu, Enrico Facini, Roberto Alagna, London Symphony Orchestra | F Major | 2 | 7B | 86 BPM | ||
Il Trovatore / Act 3: "In braccio al mio rival!" - "Che fu?" "Dappresso il campo" | Giuseppe Verdi, Ingvar Wixell, Nicolai Ghiaurov, Marilyn Horne, The London Opera Chorus, National Philharmonic Orchestra, Richard Bonynge | C Major | 2 | 8B | 70 BPM | ||
Voce 'e notte (Arr. Chiaramello) | Ernesto de Curtis, Luciano Pavarotti, Orchestra del Teatro Comunale di Bologna, Giancarlo Chiaramello | A Minor | 3 | 8A | 137 BPM | ||
Tagliaferri: Passione | Luciano Pavarotti, Giancarlo Chiaramello, Orchestra del Teatro Comunale di Bologna | A Minor | 3 | 8A | 126 BPM | ||
L'elisir d'amore / Act I: "Signor sargente" | Gaetano Donizetti, Dawn Upshaw, Kathleen Battle, Leo Nucci, Luciano Pavarotti, Metropolitan Opera Chorus, Metropolitan Opera Orchestra, James Levine | A♭ Major | 2 | 4B | 94 BPM | ||
Otello / Act 1: "Esultate!" | Giuseppe Verdi, Luciano Pavarotti, Chicago Symphony Chorus, Chicago Symphony Orchestra, Sir Georg Solti | D Major | 3 | 10B | 134 BPM | ||
Rigoletto - Un Dì, Se Ben Remmentomi | Adriana Lazzarini, Luciano Pavarotti | E Major | 3 | 12B | 131 BPM | ||
Rigoletto / Act 1: "Gran nuova! Gran nuova!" - "Tutto è gioia, tutto è festa" (Scena e Coro) | Giuseppe Verdi, Christian Du Plessis, Luciano Pavarotti, Sherrill Milnes, John Gibbs, Riccardo Cassinelli, Ambrosian Opera Chorus, London Symphony Orchestra, Richard Bonynge | A♭ Major | 6 | 4B | 135 BPM | ||
Il Trovatore / Act 3: "Di qual tetra luce...Ah si ben mio" | Giuseppe Verdi, Luciano Pavarotti, Dame Joan Sutherland, National Philharmonic Orchestra, Richard Bonynge | E♭ Major | 3 | 5B | 113 BPM |
Section: 0.7752468585968018
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