"Die tote Stadt: Mein Sehnen, mein Wähnen" by Hermann Prey was released on September 23, 2009. With this song being around four minutes long, at 3:58, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Hermann Prey's "Hermann Prey - Die frühen Aufnahmen" album is number 15 out of 16. Die tote Stadt: Mein Sehnen, mein Wähnen is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Die tote Stadt: Mein Sehnen, mein Wähnen by Hermann Prey to be Andante (at a walking pace) because the track has a tempo of 89 BPM, a half-time of 44BPM, and a double-time of 178 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Steuermann, laß die Wacht (Der fliegende Holländer: Matrosenchor, 3.Akt) - 1990 Remastered Version | Richard Wagner, Chor der Bayerischen Staatsoper München, Bavarian State Orchestra, Robert Heger | G Major | 3 | 9B | 74 BPM | ||
Elijah, Op. 70: "Lord, Bow Thine Ear to Our Prayer!" (Duet With Chorus) | Felix Mendelssohn, Gabrieli, Sarah Connolly, Rosemary Joshua, Paul McCreesh | F Major | 2 | 7B | 106 BPM | ||
Die Fledermaus / Act 2: Dialog: Bravo! Bravissimo! | Johann Strauss II, Evi List, Julia Varady, Ivan Rebroff, Bernd Weikl, Hermann Prey, Chor der Bayerischen Staatsoper München | F Minor | 3 | 4A | 122 BPM | ||
Die Fledermaus / Act 2: Nr.10 Csárdás: "Klänge der Heimat" | Johann Strauss II, Renée Fleming, English Chamber Orchestra, Jeffrey Tate | D Major | 1 | 10B | 69 BPM | ||
Wagner: Tannhäuser, WWV 70, Act 3 Scene 2: "Wie Todesahnung - O du, mein holder Abendstern" (Wolfram) - Dresden Version | Richard Wagner, Hermann Prey, Berliner Symphoniker, Horst Stein | C Minor | 2 | 5A | 113 BPM | ||
Un ballo in maschera, Act III: Eri tu che macchiavi quell'anima | Giuseppe Verdi, Hermann Prey, Munich Radio Orchestra, Heinz Wallberg | E♭ Major | 1 | 5B | 123 BPM | ||
Liederkreis, Op.39: Schöne Fremde | Robert Schumann, Hermann Prey, Karl Engel | E Major | 0 | 12B | 0 BPM | ||
Orpheus und Eurydike - Oper in drei Akten (Querschnitt in deutscher Sprache): So klag ich ihren Tod - Eurydike! teurer Schatten! Wehklagend irr ich so - Eurydike, dein süßer Name tönt überall - Weinend gedenk ich dein | Raniero de' Calzabigi, Christoph Willibald Gluck, Hermann Prey, Berliner Symphoniker, Horst Stein | F Minor | 3 | 4A | 168 BPM | ||
Nacht und Träume, D.827 | Franz Schubert, Hermann Prey, Karl Engel | E Major | 1 | 12B | 166 BPM | ||
An die ferne Geliebte, Op. 98: No. 4. Diese Wolken in den Hohen | Ludwig van Beethoven, Hermann Prey, Wolfgang Sawallisch | E♭ Major | 1 | 5B | 123 BPM |
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