Caspar Da Salo Quartet's 'String Quartet, " La Chasse " , No. 1 in B-Flat Major, op. 1: II. Minuet I/II' came out on 1991. With this song being around four minutes long, at 4:09, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Slovak Philharmonic, Caspar Da Salo Quartet's "Music For The Millions Vol. 37 - Joseph Haydn" album is number 18 out of 23. Based on our statistics, String Quartet, " La Chasse " , No. 1 in B-Flat Major, op. 1: II. Minuet I/II's popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of String Quartet, " La Chasse " , No. 1 in B-Flat Major, op. 1: II. Minuet I/II by Caspar Da Salo Quartet to be Moderato (at a moderate speed) because the track has a tempo of 120 BPM, a half-time of 60BPM, and a double-time of 240 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
B♭ Major is the music key of this track. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 1 in C Major, Op. 21: IV. Finale. Adagio - Allegro molto e vivace | Ludwig van Beethoven, George Szell, Cleveland Orchestra | C Major | 3 | 8B | 150 BPM | ||
Violin Concerto in D Major, Op. 35, TH 59: III. Finale. Allegro vivacissimo | Pyotr Ilyich Tchaikovsky, Joshua Bell, Cleveland Orchestra, Vladimir Ashkenazy | D Major | 1 | 10B | 83 BPM | ||
Symphony, " Reformation " , No. 5 in D-Major, op. 107: III. Andante | Philharmonic Festival Orchestra, Vladimir Petroschoff | G Minor | 0 | 6A | 72 BPM | ||
Copland : Appalachian Spring : XVII Moderato - Like a Prayer | Aaron Copland, Hugh Wolff, Saint Paul Chamber Orchestra | F Major | 0 | 7B | 63 BPM | ||
Symphony No.8 In G, Op.88, B. 163: 1. Allegro con brio | Antonín Dvořák, Wiener Philharmoniker, Herbert von Karajan | G Major | 2 | 9B | 71 BPM | ||
8 Slavonic Dances, Op. 72, B. 147: 7. Kolo. Allegro vivace | Antonín Dvořák, Czech Philharmonic Orchestra, Jiří Bělohlávek | G Major | 4 | 9B | 146 BPM | ||
Symphony No. 41 in C Major, K 551 "Jupiter" Andante cantibile | The Royal Festival Orchestra | C Major | 1 | 8B | 72 BPM | ||
12 Morceaux, Op. 40: No. 2. Chanson triste in G Minor | Pyotr Ilyich Tchaikovsky, Ilona Prunyi | G Minor | 0 | 6A | 91 BPM | ||
Concerto in D Major for Guitar and Strings, RV 93: I. Allegro giusto | Boris Björn Bagger | A Major | 3 | 11B | 114 BPM | ||
Waltz No. 1 in G-Flat Major, Op. 70 | Frédéric Chopin, Peter Schmalfuss | C Minor | 2 | 5A | 99 BPM |
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