"Cello Sonata in D Minor, L. 135: II. Sérénade et Finale. Modérément animé" by Claude Debussy, Kian Soltani, Daniel Barenboim was released on June 4, 2021. The duration of Cello Sonata in D Minor, L. 135: II. Sérénade et Finale. Modérément animé is about 3 minutes long, at 3:07. Based on our data, "Cello Sonata in D Minor, L. 135: II. Sérénade et Finale. Modérément animé" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 8 out of 12 in Debussy: Fantaisie, Violin Sonata, Cello Sonata, La mer by Claude Debussy, Daniel Barenboim, Martha Argerich, Michael Barenboim, Staatskapelle Berlin. Cello Sonata in D Minor, L. 135: II. Sérénade et Finale. Modérément animé is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Cello Sonata in D Minor, L. 135: II. Sérénade et Finale. Modérément animé by Claude Debussy, Kian Soltani, Daniel Barenboim is Lento (slowly), since this song has a tempo of 50 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
E Minor is the music key of this track. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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6 Studies in English Folksong (Version for Cello & Piano): No. 3, Larghetto "Van Dieman's Land" | Ralph Vaughan Williams, Gerald Peregrine, Antony Ingham | D Minor | 0 | 7A | 81 BPM | ||
Introduction and Rondo capriccioso in A Minor | Camille Saint-Saëns, Dong-Suk Kang, Polish National Radio Symphony Orchestra, Antoni Wit | A Minor | 1 | 8A | 91 BPM | ||
La Fille aux Cheveux de Lin, L. 33 | Claude Debussy, Martin Jones | F♯ Major | 0 | 2B | 110 BPM | ||
16 Waltzes, Op. 39 (1867 version): No. 3 in G-Sharp Minor | Johannes Brahms, Idil Biret | A♭ Minor | 0 | 1A | 124 BPM | ||
Preludes, L. 123, Book II: V. Bruyères | Claude Debussy, Francesco Piemontesi | A♭ Major | 0 | 4B | 92 BPM | ||
Images, Set 1, L. 110: Reflets dans L'eau | Claude Debussy, Martin Jones | D♭ Major | 0 | 3B | 69 BPM | ||
Etudes symphoniques (Symphonic Etudes), Op. 13, Adagio and Allegro brillante: Variation 11 [arr. P.I. Tchaikovsky for orchestra] | Seattle Symphony Orchestra, Robert Schumann, Gerard Schwarz | A Minor | 0 | 8A | 70 BPM | ||
Reverie | Claude Debussy, François-Joël Thiollier | F Major | 0 | 7B | 68 BPM | ||
Visions fugitives, Op.22: 1. Lentamente | Sergei Prokofiev, Anna Gourari | A Minor | 0 | 8A | 0 BPM | ||
24 Preludes, Op. 11: No. 1 in C Major | Alexander Scriabin, Evgeny Zarafiants | E♭ Major | 0 | 5B | 71 BPM |
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