Marc-Antoine Charpentier, Véronique Gens, Gilles Ragon, Jean-Paul Fouchécourt, Bernard Deletré, Les Arts Florissants, William Christie's 'Te Deum, H. 146: VII. "Aeterna fac cum sanctis tuis"' came out on April 27, 1989. The duration of Te Deum, H. 146: VII. "Aeterna fac cum sanctis tuis" is about two minutes long, specifically at 2:22. This song does not appear to have any foul language. Te Deum, H. 146: VII. "Aeterna fac cum sanctis tuis"'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 8 out of 30 in Charpentier: Te Deum; Litanies de la Vierge & Missa "Assumpta est Maria" by Marc-Antoine Charpentier, Les Arts Florissants, William Christie. Going off of the ISRC code of this track, we detected that the origin of this track is from France. Te Deum, H. 146: VII. "Aeterna fac cum sanctis tuis" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Te Deum, H. 146: VII. "Aeterna fac cum sanctis tuis" by Marc-Antoine Charpentier, Véronique Gens, Gilles Ragon, Jean-Paul Fouchécourt, Bernard Deletré, Les Arts Florissants, William Christie is Andante (at a walking pace), since this song has a tempo of 81 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Miserere in C Minor Psalm 50, ZWV. 57 | Jan Dismas Zelenka, Il Fondamento, Il Fondamento Choir, Paul Dombrecht | B Major | 1 | 1B | 64 BPM | ||
Sweeter than roses | Henry Purcell, Alfred Deller | E Minor | 1 | 9A | 99 BPM | ||
Rejoice in the Lord alway, verse anthem, Z.49 | Henry Purcell, Philippe Herreweghe, Collegium Vocale Gent | D♭ Major | 1 | 3B | 73 BPM | ||
Bach, JS: Mass in F Major, BWV 233: Gloria | Johann Sebastian Bach, Chorus of Collegium Vocale, Ghent, Orchestra Of Collegium Vocale, Philippe Herreweghe, Collegium Vocale Gent, Orchestra of Collegium Vocale Gent | E Major | 4 | 12B | 97 BPM | ||
Handel: Dixit Dominus, HWV 232: VI. Dominus a dextris tuis | George Frideric Handel, Emmanuelle Haïm, Denis Comtet | F♯ Minor | 4 | 11A | 132 BPM | ||
Mondonville : In exitu Israel : V | Jean-Joseph Cassanéa De Mondonville, William Christie, Les Arts Florissants | E♭ Major | 1 | 5B | 92 BPM | ||
Les Indes galantes, Première Entrée, Scène 6: Tambourins I & II. "Partez" (Emilie & Chœur) | Jean-Philippe Rameau, Miriam Ruggeri, Les Arts Florissants, William Christie | F♯ Major | 2 | 2B | 126 BPM | ||
Te Deum, H. 146: Te Deum, H. 146: IX. Fiat misericordia tua Domine | Marc-Antoine Charpentier, Véronique Gens, Noemi Rime, Les Arts Florissants, Bernard Deletré, William Christie | D♭ Major | 0 | 3B | 106 BPM | ||
Les Indes galantes, Deuxième Entrée, Scène 1: "Vous devez bannir de votre âme..." (Phani, Carlos, Officier Espagnol) | Jean-Philippe Rameau, Isabelle Poulenard, Jean-Paul Fouchécourt, Les Arts Florissants, William Christie | F♯ Major | 0 | 2B | 40 BPM | ||
Litanies de la Vierge, H. 83: Litanies de la Vierge, H. 83: X. Agnus Dei | Marc-Antoine Charpentier, Les Arts Florissants, Kaori Uemura, Anne Marie Lasla, William Christie | D♭ Minor | 0 | 12A | 78 BPM |
Section: 0.5770449638366699
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