"Pavane (Arr. Howarth)" by John Bull, The Philip Jones Brass Ensemble, Philip Jones was released on January 6, 2001. The duration of Pavane (Arr. Howarth) is about two minutes long, specifically at 2:26. This song does not appear to have any foul language. Pavane (Arr. Howarth)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 17 in the song's album "The World of the Philip Jones Brass Ensemble". In this album, this song's track order is #3. Pavane (Arr. Howarth) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Pavane (Arr. Howarth) by John Bull, The Philip Jones Brass Ensemble, Philip Jones having a BPM of 70 with a half-time of 35 BPM and a double-time of 140 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Zwölf Orgelstücke, Op. 4: VIII. Adagio | Johann Gottlob Schneider, Halgeir Schiager | B Minor | 2 | 10A | 128 BPM | ||
Messa Della Domenica: Kyrye I | Girolamo Frescobaldi, Federico del Sordo, Schola Gregoriana Gregoriani Urbis Cantores, Alberto Turco | F♯ Major | 1 | 2B | 86 BPM | ||
Sinfonia avanti il Barcheggio for Trumpet, 2 Violins and Continuo: I. Spiritosa e staccata | Alessandro Stradella, Reinhold Friedrich, Budapest Strings, Karoly Botvay | B Major | 2 | 1B | 72 BPM | ||
Sonata No. 41 in fa maggiore. Allegro (Transcr. and embellishments by Luca Astolfoni Fossi) | Domenico Cimarosa, Claudio Ferrarini | G Major | 2 | 9B | 91 BPM | ||
Concerti grossi a quatro e sei strumenti, Op. 7, Libro secondo, Concerto No. 11 in A Minor: II. Allegro | Giuseppe Valentini, Ensemble 415, Chiara Banchini, Olivia Centurioni, Odile Edouard, David Plantier, David Courvoisier, Alain Gervreau | A♭ Minor | 2 | 1A | 131 BPM | ||
Concerto di Flauti, S.D945: III. Presto | Alessandro Marcello, Dorothee Oberlinger | G Major | 1 | 9B | 143 BPM | ||
Suite in A Minor: V. La Piemontoise | Louis Couperin, Laurence Cummings | A♭ Minor | 3 | 1A | 71 BPM | ||
Overture in D Major, TWV 55:D21: Overture in D Major, TWV 55:D21: III. Réjouisaance | Georg Philipp Telemann, Akademie für Alte Musik Berlin, Bernhard Forck | B Major | 1 | 1B | 109 BPM | ||
Allegretto in A Major | Carl Friedrich Abel, Paolo Pandolfo | A♭ Major | 0 | 4B | 129 BPM | ||
Organ Voluntary in C Major, Op. 5 No. 1: I. Adagio | John Stanley, Richard Marlow | C Major | 0 | 8B | 68 BPM |
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