Bernard Herrmann, National Philharmonic Orchestra made "Prelude" available on March 3, 2017. The duration of Prelude is about two minutes long, specifically at 2:11. This song does not appear to have any foul language. Prelude's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 39 in the song's album "Psycho". In this album, this song's track order is #1. Furthermore, we believe that the track originated from Sweden. Based on our statistics, Prelude's popularity is below average in popularity right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Prelude by Bernard Herrmann, National Philharmonic Orchestra having a BPM of 130 with a half-time of 65 BPM and a double-time of 260 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
B Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Gayane Ballet Suite (Adagio) | Adagio | A♭ Major | 1 | 4B | 83 BPM | ||
Also sprach Zarathustra, Op. 30: I. Sunrise | Richard Strauss, Fritz Reiner, Chicago Symphony Orchestra | F Major | 2 | 7B | 132 BPM | ||
Metropolis: II. Zwischenspiel: Der Tanz | Gottfried Huppertz, Berlin Radio Symphony Orchestra, Frank Strobel | F♯ Major | 4 | 2B | 114 BPM | ||
Pruit Igoe | Philip Glass | F Major | 2 | 7B | 120 BPM | ||
Rock Hammer | Thomas Newman | D Minor | 0 | 7A | 80 BPM | ||
The Cold-Blooded Murder Of Deputy Vilmos Kovacs | Alexandre Desplat | B♭ Minor | 5 | 3A | 175 BPM | ||
Pagliacci / Act 1: Intermezzo | Ruggero Leoncavallo, National Philharmonic Orchestra, Giuseppe Patanè | E Major | 1 | 12B | 93 BPM | ||
Son of Dracula: Main Title (orch. J. Morgan): Main Title | Hans J. Salter, Frank Skinner, John Morgan, Slovak Radio Symphony Orchestra, William Stromberg | F Minor | 3 | 4A | 85 BPM | ||
Il Trovatore / Act 2: "Vedi! le fosche notturne spoglie" (Anvil Chorus) | Giuseppe Verdi, The London Opera Chorus, National Philharmonic Orchestra, Richard Bonynge | G Major | 3 | 9B | 130 BPM | ||
Waltz Suite, Op. 110: III. Mephisto Waltz (from Lermontov) | Sergei Prokofiev, Orquestra Sinfônica Do Estado De São Paulo, Marin Alsop | D Minor | 1 | 7A | 97 BPM |
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