Erik Satie, Alexandre Tharaud's 'Les Trois Valses distinguées du précieux dégoûté: Les Trois Valses distinguées du précieux dégoûté: III. Ses jambes' came out on January 20, 2009. With Les Trois Valses distinguées du précieux dégoûté: Les Trois Valses distinguées du précieux dégoûté: III. Ses jambes being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 77 in the song's album "Satie: Avant-dernières pensées (Bonus Track Version)". In this album, this song's track order is #10. In terms of popularity, Les Trois Valses distinguées du précieux dégoûté: Les Trois Valses distinguées du précieux dégoûté: III. Ses jambes is currently below average in popularity. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Les Trois Valses distinguées du précieux dégoûté: Les Trois Valses distinguées du précieux dégoûté: III. Ses jambes by Erik Satie, Alexandre Tharaud having a BPM of 117 with a half-time of 58 BPM and a double-time of 234 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 1/4.
B Minor is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Seasons, Op. 37a: III. March - Song of the Lark | Pyotr Ilyich Tchaikovsky, Lang Lang | C Minor | 0 | 5A | 134 BPM | ||
Pavane pour une infante défunte | Maurice Ravel, Alexandre Tharaud | E Minor | 0 | 9A | 63 BPM | ||
Naive Music: No. 2. Nocturne | Valentin Silvestrov, Elisaveta Blumina | B♭ Major | 0 | 6B | 68 BPM | ||
III. March. Song of the Lark | Pyotr Ilyich Tchaikovsky, Mikhail Pletnev | G Minor | 0 | 6A | 135 BPM | ||
Die Schone Magelone: No. 11 Wie Schnell Verschwindet | Johannes Brahms, Idil Biret | D Major | 1 | 10B | 143 BPM | ||
24 Préludes, Op. 28: No.4 in E minor - Largo | Frédéric Chopin, Alexandre Tharaud | F Major | 0 | 7B | 111 BPM | ||
3 Romances, Op. 11: 1. Andante | Clara Schumann, Isata Kanneh-Mason | E♭ Minor | 0 | 2A | 127 BPM | ||
Nocturne No. 1 in E Flat Major, H.24 | John Field, Elizabeth Joy Roe | E♭ Major | 0 | 5B | 75 BPM | ||
Lieder ohne Worte (Songs without Words), Book 4, Op. 53: No. 20 in E-Flat Major, Op. 53, No. 2 | Felix Mendelssohn, Péter Nagy | F Minor | 1 | 4A | 109 BPM | ||
6 Pezzi, P. 44: No. 4. Minuetto | Ottorino Respighi, Konstantin Scherbakov | G Major | 0 | 9B | 132 BPM |
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