"Saxophone Concerto, Op. 59, "Cyber-bird": I. Bird in Colors: Allegro" by Takashi Yoshimatsu, Nobuya Sugawa, BBC Philharmonic, Sachio Fujioka was released on June 1, 1999. Since Saxophone Concerto, Op. 59, "Cyber-bird": I. Bird in Colors: Allegro is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. This song is part of Yoshimatsu: Saxophone Concerto, "Cyber-Bird" / Symphony No. 3 by Takashi Yoshimatsu, Nobuya Sugawa. The song's track number on the album is #1 out of 7 tracks. Saxophone Concerto, Op. 59, "Cyber-bird": I. Bird in Colors: Allegro is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Saxophone Concerto, Op. 59, "Cyber-bird": I. Bird in Colors: Allegro by Takashi Yoshimatsu, Nobuya Sugawa, BBC Philharmonic, Sachio Fujioka has a tempo of 86 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Saxophone Concerto, Op. 59, "Cyber-bird": I. Bird in Colors: Allegro being at 86 BPM, the half-time would be 43 BPM with a double-time of 172 BPM.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
16 Waltzes, Op. 39 (1867 version): No. 15 in A-Flat Major | Johannes Brahms, Idil Biret | A♭ Minor | 3 | 1A | 111 BPM | ||
Prelude to Little Spring | Takashi Yoshimatsu, Pascal Rogé | F Major | 0 | 7B | 168 BPM | ||
Three Visions: II. Summerland | William Grant Still, Natalie Hinderas | G Major | 0 | 9B | 68 BPM | ||
Jeunes Filles Au Jardin | Federico Mompou, Belle Chen | E♭ Major | 0 | 5B | 69 BPM | ||
Was it a Dream?, Op. 37, No. 4 | Jean Sibelius, Yo-Yo Ma, Kathryn Stott | A♭ Minor | 1 | 1A | 74 BPM | ||
4 Pictures for Piano Duet: No. 2, Quite Slow and Thoughtful | Edward Gregson, Murray McLachlan, Rose McLachlan | A Minor | 0 | 8A | 129 BPM | ||
Préludes / Book 1, L.117: 8. La fille aux cheveux de lin | Claude Debussy, Pierre-Laurent Aimard | F♯ Major | 0 | 2B | 135 BPM | ||
Visions fugitives, Op. 22: No. 8, Commodo | Sergei Prokofiev, Laurent Cabasso | A Major | 1 | 11B | 83 BPM | ||
13 Preludes, Op. 32: No. 5 in G Major. Moderato | Sergei Rachmaninoff, Idil Biret | A♭ Minor | 3 | 1A | 111 BPM | ||
6 Romanian Folk Dances, BB 68, Sz. 56: 4. Dance from Bucsum (Arr. Campbell) | Béla Bartók, Nicola Benedetti, Benedetti Foundation Orchestra, Natalia Luis-Bassa | D Major | 2 | 10B | 83 BPM |
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