Charles Villiers Stanford, Peter Jacobs made "Twenty-Four Preludes Set II, Op. 179: XIX. Prelude No. 44" available on December 13, 2019. With Twenty-Four Preludes Set II, Op. 179: XIX. Prelude No. 44 being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The song is number 19 out of 90 in British Piano Collection Vol. I by Peter Jacobs. In terms of popularity, Twenty-Four Preludes Set II, Op. 179: XIX. Prelude No. 44 is currently not that popular. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of Twenty-Four Preludes Set II, Op. 179: XIX. Prelude No. 44 by Charles Villiers Stanford, Peter Jacobs is Andante (at a walking pace), since this song has a tempo of 91 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 1/4.
A Minor is the music key of this track. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Palestrina: Missa Papae Marcelli - 1a. Kyrie Eleison 1 | The Tallis Scholars, Peter Phillips | B Major | 1 | 1B | 81 BPM | ||
Allegri: Miserere - 05. Auditui Meo Dabis | The Tallis Scholars, Peter Phillips | A Major | 1 | 11B | 66 BPM | ||
The Isle is Full of Noises | Bob Chilcott, Wellensian Consort, Christopher Finch | A Minor | 0 | 8A | 104 BPM | ||
Liturgy of St. John Chrysostom, Op. 41: XV. Blessed is He Who Comes in the Name of the Lord | Pyotr Ilyich Tchaikovsky, National Choir Of The Ukraine "Dumka", Yevhen Savchuk | F♯ Major | 0 | 2B | 77 BPM | ||
5 Lieder, Op. 10: V. Bergeslust (Arr. Rouger for Choir and Piano) | Fanny Mendelssohn, figure humaine kammerchor | D Major | 0 | 10B | 76 BPM | ||
Morning, Evening & Communion Service in B-Flat Major, Op. 10 (Excerpts) [Version for Choir & Organ]: X. Gloria in excelsis | Charles Villiers Stanford, Durham Cathedral Choir, Keith Wright, James Lancelot | B♭ Major | 1 | 6B | 169 BPM | ||
Ecce Quomodo Moritur | University of King's College Chapel Choir, Paul Halley | E♭ Major | 1 | 5B | 173 BPM | ||
Brahms: Geistliches lied Op. 30 | St. Albans Cathedral Choir, Simon Johnson | E♭ Major | 1 | 5B | 70 BPM | ||
Missa Tempore Quadragesimae, MH 553: Kyrie | Michael Haydn, Purcell Choir, Orfeo Orchestra, members, Gyorgy Vashegyi | A Major | 0 | 11B | 77 BPM | ||
3 extraits de la Messe des Morts: Pie Jesu | Théodore Dubois, Jugendsinfonieorchester de Bonn Chorale Franco-Allemande de Paris, Bernard Lallement, Marie-Noelle Cros, Patrick Garayt, Philippe Desandré, Berthold Wicke | C Minor | 1 | 5A | 82 BPM |
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