"Brahms: Symphony No. 3 in F Major, Op. 90: III. Poco allegretto" by Johannes Brahms, London Philharmonic Orchestra/Wolfgang Sawallisch, Wolfgang Sawallisch, London Philharmonic Orchestra was released on April 13, 1999. Since Brahms: Symphony No. 3 in F Major, Op. 90: III. Poco allegretto is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 7 out of 8 in Brahms - Symphonies Nos. 2 & 3 by Johannes Brahms, Wolfgang Sawallisch, London Philharmonic Orchestra. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Brahms: Symphony No. 3 in F Major, Op. 90: III. Poco allegretto is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Brahms: Symphony No. 3 in F Major, Op. 90: III. Poco allegretto by Johannes Brahms, London Philharmonic Orchestra/Wolfgang Sawallisch, Wolfgang Sawallisch, London Philharmonic Orchestra is Andante (at a walking pace), since this song has a tempo of 82 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Saint-Saëns: Le carnaval des animaux, R 125: XIII. Le cygne (Arr. for Cello and Harp) | Camille Saint-Saëns, Paul Tortelier, City Of Birmingham Symphony Orchestra, Louis Frémaux, Robert Johnston | A♭ Major | 2 | 4B | 123 BPM | ||
Hungarian Dance No. 5 in G Minor | London Philharmonic Orchestra | G Minor | 2 | 6A | 139 BPM | ||
Piano Concerto in A Minor, Op. 16: II. Adagio | Edvard Grieg, Denis Kozhukhin, Rundfunk-Sinfonieorchester Berlin, Vassily Sinaisky | D♭ Major | 0 | 3B | 89 BPM | ||
Scheherazade: Calm - the triumph of Scheherazade | Nikolai Rimsky-Korsakov, Joakim Svenheden | E Minor | 0 | 9A | 68 BPM | ||
24 Caprices for Violin, Op. 1, MS. 25: No. 24 in A Minor | Niccolò Paganini, Salvatore Accardo | A Minor | 1 | 8A | 167 BPM | ||
Pavane, Op. 50 | Gabriel Fauré, Academy of St. Martin in the Fields, Sir Neville Marriner | F♯ Minor | 0 | 11A | 136 BPM | ||
Les Contes d'Hoffmann / Act III: Barcarolle (Arr. for Violin, Cello, Piano and String Ensemble by Aleksandar Sedlar) | Jacques Offenbach, Nemanja Radulović, Camille Thomas, Double Sens | D Major | 0 | 10B | 73 BPM | ||
La Nuit Ballet: Ouverture | Jean-Baptiste Lully, Musica Antiqua Köln, Reinhard Goebel | F♯ Minor | 3 | 11A | 61 BPM | ||
Barber: Adagio for Strings, Op. 11a (After "Molto adagio" from String Quartet, Op. 11) | Samuel Barber, London Symphony Orchestra, Michael Tilson Thomas | D Minor | 0 | 7A | 75 BPM | ||
Scheherazade, Op.35: The Young Prince and the Young Princess | Nikolai Rimsky-Korsakov, Concertgebouworkest, Herman Krebbers, Kirill Kondrashin | G Major | 0 | 9B | 134 BPM |
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