"Grand Canyon Suite: III On the Trail" by Ferde Grofé, Bournemouth Symphony Orchestra, William Stromberg was released on March 25, 1999. Since Grand Canyon Suite: III On the Trail is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Ferde Grofé, William Stromberg's "Grofe: Grand Canyon Suite / Mississippi Suite / Niagara Falls" album is number 7 out of 13. On top of that, Hong Kong appears to be the country where this track was created. Grand Canyon Suite: III On the Trail is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Grand Canyon Suite: III On the Trail by Ferde Grofé, Bournemouth Symphony Orchestra, William Stromberg to be Andante (at a walking pace) because the track has a tempo of 87 BPM, a half-time of 44BPM, and a double-time of 174 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
A Major is the music key of this track. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Men's Project: II. Meeting Madeleine | Milo Paulus | C Major | 2 | 8B | 136 BPM | ||
Respighi: Pini di Roma, P. 141: I. I pini di Villa Borghese | Ottorino Respighi, Riccardo Muti, Philadelphia Orchestra | F Major | 4 | 7B | 90 BPM | ||
Bells across the Meadows | Albert Ketèlbey, Slovak Radio Symphony Orchestra, Adrian Leaper | E♭ Major | 0 | 5B | 136 BPM | ||
Miss Melanie | Ronald Binge, Pro Arte Orchestra, George Weldon | A Major | 1 | 11B | 126 BPM | ||
Anyone There? (From “the London Ripper”) | Swen Fettermann | B♭ Major | 1 | 6B | 66 BPM | ||
Grand Canyon Suite: 5. Cloudburst | Ferde Grofé, Detroit Symphony Orchestra, Antal Doráti | E Major | 3 | 12B | 61 BPM | ||
Little Serenade | Ernest Tomlinson, Pro Arte Orchestra, George Weldon | A Major | 0 | 11B | 142 BPM | ||
Grand Canyon Suite: 2. The Painted Desert | Ferde Grofé, Detroit Symphony Orchestra, Antal Doráti | B Minor | 0 | 10A | 129 BPM | ||
Symphony No. 1, Op. 9: III. Andante tranquillo | Samuel Barber, Leonard Slatkin, St. Louis Symphony | B♭ Major | 3 | 6B | 93 BPM | ||
Symphony No. 1, "Afro-American": IV. Aspiration (Lento, con risoluzione) | William Grant Still, Fort Smith Symphony, John Jeter | F♯ Major | 0 | 2B | 141 BPM |
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