"Don Pasquale / Act I: Bella siccome un angelo" by Gaetano Donizetti, Dmitri Hvorostovsky, Philharmonia Orchestra, Ion Marin was released on January 1, 1994. The duration of Don Pasquale / Act I: Bella siccome un angelo is about 3 minutes long, at 3:04. Based on our data, "Don Pasquale / Act I: Bella siccome un angelo" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 8 out of 12 in Bel Canto Arias by Dmitri Hvorostovsky, Philharmonia Orchestra, Ion Marin. Going off of the ISRC code of this track, we detected that the origin of this track is from Netherlands. Don Pasquale / Act I: Bella siccome un angelo is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Don Pasquale / Act I: Bella siccome un angelo by Gaetano Donizetti, Dmitri Hvorostovsky, Philharmonia Orchestra, Ion Marin is Adagio (slowly with great expression), since this song has a tempo of 74 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Moscow Nights | Vasily Soloviev-Sedoy, Dmitri Hvorostovsky, Constantine Orbelian, Moscow Chamber Orchestra | A Minor | 3 | 8A | 160 BPM | ||
Si può?....Chi è là? (Benoît/Marcello/Schaunard/Colline/Rodolfo) - 1997 Remastered Version | Giacomo Puccini, Carlo Badioli, Antonino Votto, Orchestra Del Teatro Alla Scala Di Milan, Orchestra Del Teatro Alla Scala, Milano | F♯ Minor | 2 | 11A | 109 BPM | ||
Tannhäuser - Paris Version / Act 3: "Beglückt darf nun dich, o Heimat" (Pilgrims Chorus) | Richard Wagner, Chorus of the Royal Opera House, Covent Garden, Norbert Balatsch, Philharmonia Orchestra, Giuseppe Sinopoli | E♭ Major | 1 | 5B | 71 BPM | ||
Tannhauser: O du mein holder Abendstern | Richard Wagner, Dmitri Hvorostovsky, Russia Spiritual Revival Choir, Philharmonia of Russia, Constantine Orbelian | G Major | 2 | 9B | 84 BPM | ||
Tchaikovsky: Symphony No. 3 in D Major, Op. 29, TH 26, "Polish": II. Alla tedesca (Allegro moderato e semplice) - 1986 Digital Remaster | Pyotr Ilyich Tchaikovsky, Philharmonia Orchestra, Riccardo Muti | G Minor | 2 | 6A | 129 BPM | ||
L'elisir d'amore / Act 2: "Una furtiva lagrima" | Gaetano Donizetti, Luciano Pavarotti, English Chamber Orchestra, Richard Bonynge | B♭ Major | 1 | 6B | 166 BPM | ||
Vaga luna, che inargenti | Vincenzo Bellini, Rolando Villazón, Orchestra del Maggio Musicale Fiorentino, Marco Armiliato | B♭ Major | 1 | 6B | 73 BPM | ||
Poliuto (1997 Digital Remaster), ATTO PRIMO, Scena seconda: Decio, signor del mondo (Severo) | Gaetano Donizetti, Salvatore Cammarano, Ettore Bastianini, Orchestra Del Teatro Alla Scala, Milano, Antonino Votto, Orchestra Del Teatro Alla Scala Di Milan | E Major | 5 | 12B | 105 BPM | ||
Rossini: The Thieving Magpie: Overture | Gioachino Rossini, Herbert von Karajan, Philharmonia Orchestra | E Major | 3 | 12B | 177 BPM | ||
Werther: "Pourquoi me réveiller, ô souffle du printemps?" | Jules Massenet, Luciano Pavarotti, National Philharmonic Orchestra, Oliviero de Fabritiis | F♯ Minor | 2 | 11A | 156 BPM |
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