"Bachianas brasileiras No. 5, W391: I. Ária (arr. for Flute & Guitar)" by Heitor Villa-Lobos, Pal Paulikovics, János Bálint was released on April 30, 2021. With this song being about 5 minutes long, at 4:56, "Bachianas brasileiras No. 5, W391: I. Ária (arr. for Flute & Guitar)" by Heitor Villa-Lobos, Pal Paulikovics, János Bálint is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 19 out of 50 in Coffeehouse Classical by Various Artists. Bachianas brasileiras No. 5, W391: I. Ária (arr. for Flute & Guitar) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Bachianas brasileiras No. 5, W391: I. Ária (arr. for Flute & Guitar) by Heitor Villa-Lobos, Pal Paulikovics, János Bálint is Adagio (slowly with great expression), since this song has a tempo of 72 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Pavane pour une infante défunte | Maurice Ravel, Alexandre Tharaud | E Minor | 0 | 9A | 63 BPM | ||
Preludios Epigramaticos: No. 4 | Leo Brouwer, Elena Papandreou | B Minor | 0 | 10A | 136 BPM | ||
Antiche Danze Ed Arie Per Liuto (Ancient Airs And Dances), P. 114: I. Balletto Detto 'Il Conte Orlando' | Ottorino Respighi, Konstantin Scherbakov | D Major | 1 | 10B | 125 BPM | ||
3 Hungarian Folksongs from the Csìk District, BB 45b, Sz. 35a | Béla Bartók, Zoltán Kocsis | F♯ Minor | 0 | 11A | 62 BPM | ||
Piano Concerto in G Major, M. 83: II. Adagio assai | Maurice Ravel, Krystian Zimerman, Cleveland Orchestra, Pierre Boulez | E Major | 0 | 12B | 74 BPM | ||
Bachianinha No. 2 / Araponga (Arr. for Guitar by Sérgio Assad) | Paulinho Nogueira, Luiz Gonzaga, Plínio Fernandes | E Minor | 3 | 9A | 81 BPM | ||
Concierto de Aranjuez for Guitar and Orchestra: I. Allegro con spirito - Version 1979 | Joaquín Rodrigo, Narciso Yepes, Philharmonia Orchestra, Luis Antonio García Navarro | D Major | 1 | 10B | 121 BPM | ||
Zdes' khorosho ('How Fair This Spot'), Op. 21, No. 7 | Sergei Rachmaninoff, Pablo Ferrandez, Denis Kozhukhin | A Major | 0 | 11B | 87 BPM | ||
Debussy: Syrinx, L. 129: Syrinx (Très modéré - Un peu mouvementé) | Claude Debussy, Emmanuel Pahud | A♭ Major | 0 | 4B | 65 BPM | ||
Pièces de clavecin, Book 1: No. 6, L'aimable (Arr. Feuillâtre for Guitar) | Joseph-Nicolas-Pancrace Royer, Raphaël Feuillâtre | D Minor | 2 | 7A | 130 BPM |
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