Bachianas brasileiras No. 5, W391: I. Ária (arr. for Flute & Guitar) by Heitor Villa-Lobos, Pal Paulikovics, János Bálint

Song Analysis

Audio information that is featured on Bachianas brasileiras No. 5, W391: I. Ária (arr. for Flute & Guitar) by Heitor Villa-Lobos, Pal Paulikovics, János Bálint.

Acousticness

99%

Energy

4%

Liveness

7%

Speechiness

5%

Danceability

25%

Instrumentalness

93%

Loudness

54%

Valence

4%

Harmonic Matches

Find songs that harmonically matches to Bachianas brasileiras No. 5, W391: I. Ária (arr. for Flute & Guitar) by Heitor Villa-Lobos, Pal Paulikovics, János Bálint. Listed below are tracks with similar keys and BPM to the track where the track can be harmonically mixed.

Track Artist Key Energy Camelot BPM
Capriccio, Op. 195, No. 18, Capriccio, Op. 195, No. 18, "El sueno de la razon produce monstruos": No. 18. El sueno de la razon produce monstruos (The sleep of reason produces monsters)Mario Castelnuovo-Tedesco, Zoran DukicD Minor17A107
Granada - Oriental, Danza española n°2 by Enrique Granados, Thibault Cauvin, Christian-Pierre La MarcaGranada - Oriental, Danza española n°2Enrique Granados, Thibault Cauvin, Christian-Pierre La MarcaD Minor17A91
Giga Melancolica by Andrés SegoviaGiga MelancolicaAndrés SegoviaD Minor17A77
Hary Janos Suite: V. Kozjatek (Intermezzo) by Zoltán Kodály, The Gulbenkian Orchestra, Lawrence FosterHary Janos Suite: V. Kozjatek (Intermezzo)Zoltán Kodály, The Gulbenkian Orchestra, Lawrence FosterD Minor17A111
Sonate en ré mineur, K. 1: Allegro by Domenico Scarlatti, Thibault CauvinSonate en ré mineur, K. 1: AllegroDomenico Scarlatti, Thibault CauvinD Minor27A183
Corta-Jaca by Chiquinha Gonzaga, Luciana SoaresCorta-JacaChiquinha Gonzaga, Luciana SoaresD Minor27A78
Sonata No.3: 2. Canción. Andante by Manuel Ponce, Miloš KaradaglićSonata No.3: 2. Canción. AndanteManuel Ponce, Miloš KaradaglićD Minor07A112
Spring, Op. 22a by Josef Suk, Radoslav KvapilSpring, Op. 22aJosef Suk, Radoslav KvapilD Minor17A74
Gallardas by Andrés SegoviaGallardasAndrés SegoviaD Minor07A80
La vida breve, Act II: Danse espagnole No. 1 by Manuel de Falla, Jurgen Rost, Monika RostLa vida breve, Act II: Danse espagnole No. 1Manuel de Falla, Jurgen Rost, Monika RostD Minor07A104
Bachianas Brasileiras No.5, W389 by Heitor Villa-Lobos, Jian Wang, Göran SöllscherBachianas Brasileiras No.5, W389Heitor Villa-Lobos, Jian Wang, Göran SöllscherD Minor07A122
Fantasía para un Gentilhombre: Ib. Ricercare by Joaquín Rodrigo, Julian Bream, Leo Brouwer, RCA Victor Chamber OrchestraFantasía para un Gentilhombre: Ib. RicercareJoaquín Rodrigo, Julian Bream, Leo Brouwer, RCA Victor Chamber OrchestraD Minor17A81
Ráfaga, Op. 53 by Alirio DíazRáfaga, Op. 53Alirio DíazD Minor27A97
Zambra granadina (arr. A. Segovia for guitar) by Andrés Segovia, Isaac AlbénizZambra granadina (arr. A. Segovia for guitar)Andrés Segovia, Isaac AlbénizD Minor07A135
Guitar Sonata No. 3: II. Chanson: Andantino molto espressivo by Manuel Ponce, Pablo GaribayGuitar Sonata No. 3: II. Chanson: Andantino molto espressivoManuel Ponce, Pablo GaribayD Minor07A114
Bachianas Brasileiras No. 5 (for soprano and 8 cellos) (1998 Digital Remaster): I. Aria (Cantilena) (1938) Adagio by Heitor Villa-Lobos, Victoria de los Ángeles, Orchestra National de la Radiodiffusion Francaise, French National Radio OrchestraBachianas Brasileiras No. 5 (for soprano and 8 cellos) (1998 Digital Remaster): I. Aria (Cantilena) (1938) AdagioHeitor Villa-Lobos, Victoria de los Ángeles, Orchestra National de la Radiodiffusion Francaise, French National Radio OrchestraD Minor27A89
Fantasía para un gentilhombre for Guitar and Small Orchestra: III. Danza de las hachas (Allegro con brio) by Joaquín Rodrigo, Göran Söllscher, Orpheus Chamber OrchestraFantasía para un gentilhombre for Guitar and Small Orchestra: III. Danza de las hachas (Allegro con brio)Joaquín Rodrigo, Göran Söllscher, Orpheus Chamber OrchestraD Minor07A121
Bocetos: IV. La campana de la tarde. Allegretto by Enrique Granados, Alicia de LarrochaBocetos: IV. La campana de la tarde. AllegrettoEnrique Granados, Alicia de LarrochaF Major07B129
Symphony No. 5 in C-Sharp Minor: IV. Adagietto: Sehr langsam by Gustav Mahler, Polish National Radio Symphony Orchestra, Antoni WitSymphony No. 5 in C-Sharp Minor: IV. Adagietto: Sehr langsamGustav Mahler, Polish National Radio Symphony Orchestra, Antoni WitF Major07B80
5 Stücke im Volkston, Op. 102: II. Langsam by Robert Schumann, Martin Fröst, Royal Stockholm Philharmonic Orchestra5 Stücke im Volkston, Op. 102: II. LangsamRobert Schumann, Martin Fröst, Royal Stockholm Philharmonic OrchestraF Major07B62
Tarantella, Op. 87 by Mario Castelnuovo-Tedesco, Andrés SegoviaTarantella, Op. 87Mario Castelnuovo-Tedesco, Andrés SegoviaF Major27B133
3 Canciones mexicanas: I. Estrellita by Manuel Ponce, Jorge Federico Osorio3 Canciones mexicanas: I. EstrellitaManuel Ponce, Jorge Federico OsorioF Major07B133
Bachianas brasileiras No.5, W. 389: 1. Aria (Cantilena) by Heitor Villa-Lobos, Patricia Petibon, Orquesta Nacional De España, Josep PonsBachianas brasileiras No.5, W. 389: 1. Aria (Cantilena)Heitor Villa-Lobos, Patricia Petibon, Orquesta Nacional De España, Josep PonsF Major07B62
Scaramouche, Op. 165c: III. Brazileira by Darius Milhaud, Claude Delangle, Singapore Symphony Orchestra, Lan ShuiScaramouche, Op. 165c: III. BrazileiraDarius Milhaud, Claude Delangle, Singapore Symphony Orchestra, Lan ShuiF Major27B104
Nielsen: Flute Concerto, FS 119: I. Allegro moderato by Carl Nielsen, Emmanuel Pahud, Sir Simon Rattle, Berliner PhilharmonikerNielsen: Flute Concerto, FS 119: I. Allegro moderatoCarl Nielsen, Emmanuel Pahud, Sir Simon Rattle, Berliner PhilharmonikerF Major17B55
13 Pieces, Op. 76: No. 3 Carillon by Jean Sibelius, Håvard Gimse13 Pieces, Op. 76: No. 3 CarillonJean Sibelius, Håvard GimseF Major07B72
Concertino da camera: I. Allegro con moto by Jacques Ibert, Claude Delangle, Singapore Symphony Orchestra, Lan ShuiConcertino da camera: I. Allegro con motoJacques Ibert, Claude Delangle, Singapore Symphony Orchestra, Lan ShuiF Major17B129
Scaramouche, Suite for 2 Pianos: 3. Brazileira (Mouvement de samba) by Darius Milhaud, Katia Labèque, Marielle LabèqueScaramouche, Suite for 2 Pianos: 3. Brazileira (Mouvement de samba)Darius Milhaud, Katia Labèque, Marielle LabèqueF Major27B99
Romance for Viola & Orchestra in F Major, Op. 85 by Max Bruch, Yuri Bashmet, Neeme JärviRomance for Viola & Orchestra in F Major, Op. 85Max Bruch, Yuri Bashmet, Neeme JärviF Major07B105
Drunken Ecstasy (arr. Xuefei Yang for guitar) by Xuefei Yang, Ruan JiDrunken Ecstasy (arr. Xuefei Yang for guitar)Xuefei Yang, Ruan JiF Major07B74
Romance in F for Viola & Orchestra, Op.85 by Max Bruch, Janine Jansen, Gewandhausorchester Leipzig, Riccardo ChaillyRomance in F for Viola & Orchestra, Op.85Max Bruch, Janine Jansen, Gewandhausorchester Leipzig, Riccardo ChaillyF Major17B99

Bachianas brasileiras No. 5, W391: I. Ária (arr. for Flute & Guitar) by Heitor Villa-Lobos, Pal Paulikovics, János Bálint Information

This song is track #19 in Coffeehouse Classical by Heitor Villa-Lobos, Pal Paulikovics, János Bálint, which has a total of 50 tracks. The duration of this track is 4:56 and was released on April 30, 2021. As of now, this track is currently not as popular as other songs out there. Unfortunately, some songs are not meant to be danced and Bachianas brasileiras No. 5, W391: I. Ária (arr. for Flute & Guitar) might be one of them, due to it's low energy and danceability.

Bachianas brasileiras No. 5, W391: I. Ária (arr. for Flute & Guitar) BPM

Bachianas brasileiras No. 5, W391: I. Ária (arr. for Flute & Guitar) has a BPM of 72. Since this track has a tempo of 72, the tempo markings of this song would be Adagio (slowly with great expression). Overall, we believe that this song has a slow tempo.

Bachianas brasileiras No. 5, W391: I. Ária (arr. for Flute & Guitar) Key

The key of Bachianas brasileiras No. 5, W391: I. Ária (arr. for Flute & Guitar) is D Minor. In other words, for DJs who are harmonically matchings songs, the Camelot key for this track is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.

An error has occurred! We could not play this song at this time.