"Strathclyde Motets: Factus est repente" by James MacMillan, Harry Christophers, The Sixteen was released on October 31, 2011. The duration of Strathclyde Motets: Factus est repente is about two minutes long, specifically at 2:37. This song does not appear to have any foul language. Strathclyde Motets: Factus est repente's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in James MacMillan, The Sixteen, Harry Christophers's "James MacMillan: Miserere" album is number 4 out of 13. Based on our statistics, Strathclyde Motets: Factus est repente's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Strathclyde Motets: Factus est repente by James MacMillan, Harry Christophers, The Sixteen to be Allegro (fast, quick, and bright) because the track has a tempo of 135 BPM, a half-time of 68BPM, and a double-time of 270 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Liturgy of St. John Chrysostom for Chorus, Op. 31: III. Second Antiphon: "The only-begotten..." | Sergei Rachmaninoff, Valery Polyansky, State Symphony Capella of Russia | D Minor | 0 | 7A | 85 BPM | ||
Vårmorgonen | Karl-Erik Welin, Meng Hao-Jan, Storkyrkans Kör, Gustaf Sjokvist | E Minor | 0 | 9A | 76 BPM | ||
Taaveti laul 141, "Issand, ma huuan Su poole" (Psalm 141, "O Lord I call to thee") | Cyrillus Kreek, Estonian Philharmonic Chamber Choir, Daniel Reuss | B Minor | 0 | 10A | 73 BPM | ||
Surrexit Christus hodie | Samuel Scheidt, Vox Luminis, Lionel Meunier | G Minor | 1 | 6A | 79 BPM | ||
Australian Up-Country Song | Percy Grainger, Academy of St. Martin in the Fields Chorus, Richard Hickox | E♭ Major | 0 | 5B | 77 BPM | ||
Ave Maria | Rebecca Clarke, The Chapel Choir of Pembroke College, Cambridge, The Pembroke College Girls’ Choir, Anna Lapwood | A Minor | 1 | 8A | 140 BPM | ||
Twinkle, Twinkle, Little Star | Daniel Elder, Westminster Choir, Joe Miller | D Major | 0 | 10B | 82 BPM | ||
Cor meum conturbatum est, IOL 58 | Orlande de Lassus, Pro Musica, Szabó Dénes | D Minor | 1 | 7A | 82 BPM | ||
Romanzen, Book 2, Op. 91: No. 5. Der Bleicherin Nachtlied | Robert Schumann, Aquarius, Marc Michael de Smet | G Minor | 0 | 6A | 75 BPM | ||
Mass for Double Choir: Credo | Frank Martin, Mikaeli Chamber Choir, Anders Eby | A Minor | 0 | 8A | 135 BPM |
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