- BPM
- 166
- Key
- C Major
- Camelot
- 8B
O Maria Vernans Rosa - The Monteverdi Choir Information
- Acousticness
- 100%
- Danceability
- 13%
- Energy
- 21%
- Instrumentalness
- 55%
- Liveness
- 9%
- Loudness
- 72%
- Speechiness
- 5%
- Valence
- 4%
- Popularity
- 8%
- Loudness
- -16.905 dB
Summary
"O Maria Vernans Rosa" by The Monteverdi Choir was released on October 14, 2014. O Maria Vernans Rosa is about six minutes long, preciously at 5:51, making this song fairly long compared to other songs. There are a total of 12 in the song's album "Sacred Songs of Mary 2". In this album, this song's track order is #3. The popularity of O Maria Vernans Rosa is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
O Maria Vernans Rosa BPM
With O Maria Vernans Rosa by The Monteverdi Choir having a BPM of 166 with a half-time of 83 BPM and a double-time of 332 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.
O Maria Vernans Rosa Key
This song has a musical key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Le Bourgeois Gentilhomme - Comédie-Ballet, LWV 43: Ouverture | Jean-Baptiste Lully, Gustav Leonhardt, La Petite Bande | F♯ Minor | 1 | 11A | 106 BPM | |
 | Stabat Mater: 3. O quam tristis | Giovanni Battista Pergolesi, Margaret Marshall, Lucia Valentini Terrani, London Symphony Orchestra, Claudio Abbado, Leslie Pearson | G Minor | 1 | 6A | 80 BPM | |
 | Motet Jesu Meine Freude (Bwv 227) | Musica Amphion, Gesualdo Consort Amsterdam | E♭ Minor | 1 | 2A | 80 BPM | |
 | Officium defunctorum: Parce mihi Domine: Parce mihi Domine | Cristobal de Morales, The Monteverdi Choir, John Eliot Gardiner | B♭ Major | 0 | 6B | 66 BPM | |
 | Concerto Grosso In D Major, Op. 6, No. 1 : III. Largo | Arcangelo Corelli, Daniela Ruso, Anna Holbling, Ludovit Kanta, Quido Holbling, Capella Istropolitana | D Major | 1 | 10B | 78 BPM | |
 | Gloria: Laudamus te | Antonio Vivaldi, Lucy Ballard, Katherine Fuge, English Baroque Soloists, John Eliot Gardiner | F♯ Major | 1 | 2B | 123 BPM | |
 | Magnificat: Magnificat | Giovanni Battista Pergolesi, Choir of King's College, Cambridge, Academy of St. Martin in the Fields, Sir Neville Marriner | G Major | 1 | 9B | 172 BPM | |
 | A New Ground in E Minor, Z.T682 | Henry Purcell, Terence R. Charlston | F♯ Minor | 2 | 11A | 56 BPM | |
 | Stabat Mater: II. Cujus animam gementem | Antonio Caldara, Diego Fasolis, Swiss Radio Choir, Aura Musicale Ensemble, Rene Clemencic | E♭ Minor | 1 | 2A | 71 BPM | |
 | Mass in C Minor, K. 427 "Grosse Messe" (Rev. and Reconstr. A. Schmitt & E. Gardiner): 2e. Gloria: Qui tollis | Wolfgang Amadeus Mozart, Sylvia McNair, Diana Montague, Anthony Rolfe Johnson, Cornelius Hauptmann, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | G Major | 2 | 9B | 76 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.7035160064697266
End: 0.7070865631103516