Aoi Mizuno, 君島大空's '献呈' came out on March 31, 2021. The duration of 献呈 is about 3 minutes long, at 3:25. Based on our data, "献呈" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. This song is part of VOICE - An Awakening At The Opera - by Aoi Mizuno. The song's track number on the album is #7 out of 9 tracks. Based on our statistics, 献呈's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since 献呈 by Aoi Mizuno, 君島大空 has a tempo of 126 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With 献呈 being at 126 BPM, the half-time would be 63 BPM with a double-time of 252 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 3/4.
D Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
ドビュッシー:月の光(「ベルガマスク組曲」より) | Izumi Tateno | B♭ Major | 3 | 6B | 200 BPM | ||
PIANO QUARTET - No.1 | 加藤洋隆 | F♯ Minor | 0 | 11A | 84 BPM | ||
Two Paths | Yoko Kanno | D♭ Major | 0 | 3B | 82 BPM | ||
にちよ待ち | Kotringo | A♭ Major | 2 | 4B | 125 BPM | ||
白鳥(サン=サーンス) | Camille Saint-Saëns, Yoko Hasegawa | D Minor | 4 | 7A | 149 BPM | ||
Continuum: Part III, Sailing | Tomasz Trzcinski | G Minor | 6 | 6A | 161 BPM | ||
夜想曲 第20番 嬰ハ短調「レント・コン・グラン・エスプレッシオーネ」(遺作) | Frédéric Chopin, Hisako Kawamura | D♭ Minor | 0 | 12A | 64 BPM | ||
The Lines that Define Me | Masaru Yokoyama | G Minor | 4 | 6A | 78 BPM | ||
オルゴールを聴きながら | Yukie Nishimura | A Major | 2 | 11B | 90 BPM | ||
心のそばに -Instrumental- | Belle | G Major | 2 | 9B | 113 BPM |
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