On February 1, 2019, the song "Jazz Missa Brevis: Benedictus" was released by Will Todd, St Martin's Voices. With Jazz Missa Brevis: Benedictus being less than two minutes long, at 1:11, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. This song is part of Will Todd: Passion Music, Jazz Missa Brevis by Will Todd, Shaneeka Simon, St Martin's Voices. The song's track number on the album is #15 out of 18 tracks. Based on our data, United Kingdom was the country where this track was produced or recorded. In terms of popularity, Jazz Missa Brevis: Benedictus is currently not that popular. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
Since Jazz Missa Brevis: Benedictus by Will Todd, St Martin's Voices has a tempo of 113 beats per a minute, the tempo markings of this song would be Moderato (at a moderate speed). With Jazz Missa Brevis: Benedictus being at 113 BPM, the half-time would be 56 BPM with a double-time of 226 BPM.In addition, we consider the tempo speed to be pretty moderate for this song. The time signature for this track is 4/4.
The music key of this track is G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Tonight Eternity Alone | The Singers - Minnesota Choral Artists | D Major | 0 | 10B | 72 BPM | ||
Amabile Alleluia | Sarah Quartel, Reading Phoenix Choir, Christopher Hann | E♭ Major | 2 | 5B | 99 BPM | ||
Peer Gynt, Op. 23, Act V Scene 10: Pinsesalme: Velsignede morgen (Whitsun Hymn: Oh Blessed Morning) | Edvard Grieg, Svein Sturla Hungnes, Marita Sølberg, Kari Simonsen, Andrea Bræin Hovig, Bjorn Willberg Andersen, Ståle Bjørnhaug, Håkan Hagegård, Ingebjorg Kosmo, Kari Postma, Hilde Haraldsen Sveen, Ilkka Leppänen, Torbjorn Gulbrandsoy, Bergen Philharmonic Orchestra, Ole Kristian Ruud | E Minor | 0 | 9A | 68 BPM | ||
Franck: Dextera Domini, FWV 65 | César Franck, Maitrise Notre-Dame De Paris, Yves Castagnet, Henri Chalet | B♭ Major | 1 | 6B | 78 BPM | ||
Burial service: Thou knowest, Lord (Henry Purcell) | Henry Purcell, Sidney Sussex College Choir, Cambridge, Unknown Artist, David Skinner | B♭ Minor | 1 | 3A | 69 BPM | ||
Herr, auf dich traue ich (Psalm 31) | Otto Nicolai, Kammerchor Stuttgart, Frieder Bernius | E♭ Major | 1 | 5B | 81 BPM | ||
Mass for Double Choir: III. Credo | Frank Martin, Westminster Choir, Joe Miller | A Minor | 1 | 8A | 75 BPM | ||
Förvårskväll | David Wikander, Sofia Vokalensemble, Bengt Ollen | C Major | 0 | 8B | 78 BPM | ||
Ah Robin | William Cornysh, Max Thomas, Benjamin Seward, Luke Rowe, Henry Isaacs, Leo Dolan, Myron Buist, Mark Williams | C Minor | 1 | 5A | 93 BPM | ||
2 Choral songs, Op. 73: No. 2. Serenade | Edward Elgar, Cambridge University Chamber Choir, Christopher Robinson | G Major | 1 | 9B | 75 BPM |
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