Symphony No. 3 in F Major, Op. 90: I. Allegro con brio by Johannes Brahms, Kurt Masur, New York Philharmonic

Song Analysis

Audio information that is featured on Symphony No. 3 in F Major, Op. 90: I. Allegro con brio by Johannes Brahms, Kurt Masur, New York Philharmonic.

Acousticness

98%

Energy

5%

Liveness

11%

Speechiness

4%

Danceability

19%

Instrumentalness

89%

Loudness

66%

Valence

4%

Harmonic Matches

Find songs that harmonically matches to Symphony No. 3 in F Major, Op. 90: I. Allegro con brio by Johannes Brahms, Kurt Masur, New York Philharmonic. Listed below are tracks with similar keys and BPM to the track where the track can be harmonically mixed.

Track Artist Key Energy Camelot BPM
Symphonie Fantastique, Op. 14: IV. Marche au supplice by Hector Berlioz, London Symphony Orchestra, Valery GergievSymphonie Fantastique, Op. 14: IV. Marche au suppliceHector Berlioz, London Symphony Orchestra, Valery GergievG Minor16A76
Wieniawski : Légende Op.17 by Henryk Wieniawski, Maxim VengerovWieniawski : Légende Op.17Henryk Wieniawski, Maxim VengerovG Minor16A81
Zigeunerweisen, Op.20 by Pablo de Sarasate, Anne-Sophie Mutter, Wiener Philharmoniker, James LevineZigeunerweisen, Op.20Pablo de Sarasate, Anne-Sophie Mutter, Wiener Philharmoniker, James LevineG Minor26A169
Symphonie fantastique, Op. 14, H. 48: IV. Marche au supplice by Hector Berlioz, London Symphony Orchestra, Sir Colin DavisSymphonie fantastique, Op. 14, H. 48: IV. Marche au suppliceHector Berlioz, London Symphony Orchestra, Sir Colin DavisB♭ Major16B77
Violin Concerto In D Minor, Op.47: 1. Allegro moderato by Jean Sibelius, Anne-Sophie Mutter, Staatskapelle Dresden, André PrevinViolin Concerto In D Minor, Op.47: 1. Allegro moderatoJean Sibelius, Anne-Sophie Mutter, Staatskapelle Dresden, André PrevinB♭ Major16B136
Overture Prince Igor by Alexander Borodin, London Symphony Orchestra, Sir Georg SoltiOverture Prince IgorAlexander Borodin, London Symphony Orchestra, Sir Georg SoltiB♭ Major26B76
Symphony No. 3, Op. 27, FS 60 Symphony No. 3, Op. 27, FS 60 "Sinfonia espansiva": I. Allegro espansivoCarl Nielsen, London Symphony Orchestra, Sir Colin DavisB♭ Major16B65
Franck: Violin Sonata in A Major, FWV 8: II. Allegro by César Franck, Renaud Capuçon, Khatia BuniatishviliFranck: Violin Sonata in A Major, FWV 8: II. AllegroCésar Franck, Renaud Capuçon, Khatia BuniatishviliB♭ Major16B89
Candide / Act I: 1. Overture by Leonard Bernstein, London Symphony OrchestraCandide / Act I: 1. OvertureLeonard Bernstein, London Symphony OrchestraB♭ Major46B148
Oboe Concerto, H. 353: I. Moderato by Bohuslav Martinů, Stefan Schilli, Bavarian Radio Symphony Orchestra, Mariss JansonsOboe Concerto, H. 353: I. ModeratoBohuslav Martinů, Stefan Schilli, Bavarian Radio Symphony Orchestra, Mariss JansonsB♭ Major16B93
Symphonie fantastique Op. 14, H. 48: IV. Marche au supplice. Allegretto non troppo by Hector Berlioz, Cleveland Orchestra, Lorin MaazelSymphonie fantastique Op. 14, H. 48: IV. Marche au supplice. Allegretto non troppoHector Berlioz, Cleveland Orchestra, Lorin MaazelB♭ Major36B91
Trumpet Concerto in E Flat (1998 - Remaster): III. Rondo (Allegro molto) by Herbert von Karajan, Berliner Philharmoniker, Maurice AndréTrumpet Concerto in E Flat (1998 - Remaster): III. Rondo (Allegro molto)Herbert von Karajan, Berliner Philharmoniker, Maurice AndréB♭ Major46B74
Tannhauser: Tannhauser, Act III: Begluckt Darf Nun Dich, Tannhauser: Tannhauser, Act III: Begluckt Darf Nun Dich, "Pilgrims' Chorus"Slovak Radio Symphony Orchestra, Slovak Philharmonic Chorus, Richard WagnerB♭ Major06B94
Wieniawski: Violin Concerto No. 2 in D Minor, Op. 22: II. Romance. Andante, ma non troppo by Henryk Wieniawski, Janusz Wawrowski, Daniel Raiskin, Stuttgart Philharmonic OrchestraWieniawski: Violin Concerto No. 2 in D Minor, Op. 22: II. Romance. Andante, ma non troppoHenryk Wieniawski, Janusz Wawrowski, Daniel Raiskin, Stuttgart Philharmonic OrchestraB♭ Major06B92
Concerto grosso No.1: 1. Prelude: Allegro energico e pesante by Ernest Bloch, Eastman-Rochester Orchestra, Howard HansonConcerto grosso No.1: 1. Prelude: Allegro energico e pesanteErnest Bloch, Eastman-Rochester Orchestra, Howard HansonB♭ Major36B129
Euryanthe, J. 291: Overture by Carl Maria von Weber, Tapiola Sinfonietta, Jean-Jacques KantorowEuryanthe, J. 291: OvertureCarl Maria von Weber, Tapiola Sinfonietta, Jean-Jacques KantorowB♭ Major16B89
3 Preludes and Fugues, Op. 16: No. 2. Prelude and Fugue in B-Flat Major by Clara Schumann, Jozef De Beenhouwer3 Preludes and Fugues, Op. 16: No. 2. Prelude and Fugue in B-Flat MajorClara Schumann, Jozef De BeenhouwerB♭ Major06B100
Scaramouche, Op. 165: II. Modéré by Darius Milhaud, Jos Van Immerseel, Lisa ShklyaverScaramouche, Op. 165: II. ModéréDarius Milhaud, Jos Van Immerseel, Lisa ShklyaverB♭ Major06B65
Ancient Airs And Dances, Suite No.3, [P. 172]: 1. Italiana by Ottorino Respighi, Boston Symphony Orchestra, Seiji OzawaAncient Airs And Dances, Suite No.3, [P. 172]: 1. ItalianaOttorino Respighi, Boston Symphony Orchestra, Seiji OzawaB♭ Major16B96
Serenade für Streicher, Op. 6: I. Andante con moto by Josef Suk, Alexej Svjatlovskij, Igor Makarow, Sergej Belesow, European New Philharmonic Orchestra, Volker HartungSerenade für Streicher, Op. 6: I. Andante con motoJosef Suk, Alexej Svjatlovskij, Igor Makarow, Sergej Belesow, European New Philharmonic Orchestra, Volker HartungB♭ Major16B87
Symphony in D Minor, M. 48: II. Allegretto by César Franck, L'Orchestre de la Suisse Romande, Marek JanowskiSymphony in D Minor, M. 48: II. AllegrettoCésar Franck, L'Orchestre de la Suisse Romande, Marek JanowskiB♭ Major06B142
Clarinet Concerto No. 2 in E-Flat Major, Op. 74, J. 155: I. Allegro by Carl Maria von Weber, Martin Fröst, Tapiola Sinfonietta, Jean-Jacques KantorowClarinet Concerto No. 2 in E-Flat Major, Op. 74, J. 155: I. AllegroCarl Maria von Weber, Martin Fröst, Tapiola Sinfonietta, Jean-Jacques KantorowB♭ Major16B136
String Quartet No. 1 In D Major, Op. 11: II. Andante Cantabile by Borodin Quartet, Pyotr Ilyich TchaikovskyString Quartet No. 1 In D Major, Op. 11: II. Andante CantabileBorodin Quartet, Pyotr Ilyich TchaikovskyB♭ Major06B140
Ariadne auf Naxos, Op.60 / Opera: Ariadne auf Naxos, Op.60 / Opera: "Es gibt ein Reich"Richard Strauss, Jessye Norman, Gewandhausorchester Leipzig, Kurt MasurB♭ Major16B173
Symphonic Metamorphoses on Themes by Carl Maria von Weber: 4. Marsch by Paul Hindemith, San Francisco Symphony, Herbert BlomstedtSymphonic Metamorphoses on Themes by Carl Maria von Weber: 4. MarschPaul Hindemith, San Francisco Symphony, Herbert BlomstedtB♭ Major36B82
Violin Concerto No. 2 in D Minor Op. 22: II. Romance. Andante ma non troppo by Henryk Wieniawski, Bomsori Kim, Jacek KaspszykViolin Concerto No. 2 in D Minor Op. 22: II. Romance. Andante ma non troppoHenryk Wieniawski, Bomsori Kim, Jacek KaspszykB♭ Major16B96

Symphony No. 3 in F Major, Op. 90: I. Allegro con brio by Johannes Brahms, Kurt Masur, New York Philharmonic Information

This song is track #29 in Classical Hits with New York Philharmonic by Johannes Brahms, Kurt Masur, New York Philharmonic, which has a total of 30 tracks. The duration of this track is 10:25 and was released on June 5, 2021. As of now, this track is currently not as popular as other songs out there. Unfortunately, some songs are not meant to be danced and Symphony No. 3 in F Major, Op. 90: I. Allegro con brio might be one of them, due to it's low energy and danceability.

Symphony No. 3 in F Major, Op. 90: I. Allegro con brio BPM

Symphony No. 3 in F Major, Op. 90: I. Allegro con brio has a BPM of 79. Since this track has a tempo of 79, the tempo markings of this song would be Andante (at a walking pace). Overall, we believe that this song has a slow tempo.

Symphony No. 3 in F Major, Op. 90: I. Allegro con brio Key

The key of Symphony No. 3 in F Major, Op. 90: I. Allegro con brio is G Minor. In other words, for DJs who are harmonically matchings songs, the Camelot key for this track is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.

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