"Le tombeau de Monsieur de Lully: I. Lentement" by Jean-Féry Rebel, London Baroque was released on April 1, 2005. The duration of Le tombeau de Monsieur de Lully: I. Lentement is about two minutes long, specifically at 2:16. This song does not appear to have any foul language. Le tombeau de Monsieur de Lully: I. Lentement's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 33 in the song's album "Trio Sonata In 17th-Century France". In this album, this song's track order is #29. Le tombeau de Monsieur de Lully: I. Lentement is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Le tombeau de Monsieur de Lully: I. Lentement by Jean-Féry Rebel, London Baroque having a BPM of 80 with a half-time of 40 BPM and a double-time of 160 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of B Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Trio Sonata in G Minor, Op. 3 No. 5: I. Andante sostenuto | Giuseppe Sammartini, London Baroque | E Major | 1 | 12B | 106 BPM | ||
The Little Consort: Suite No. 3 in D Minor: III. Courante | Matthew Locke, London Baroque | D♭ Minor | 2 | 12A | 103 BPM | ||
Mystery (Rosary) Sonata No. 7, "The Scourging at the Pillar": I. Allamanda | Heinrich Ignaz Franz von Biber, Sirkka-Liisa Kaakinen, Battalia | B Major | 2 | 1B | 70 BPM | ||
Sonata in G Major, "La Felicite": III. [Piano] | Louis-Nicolas Clérambault, London Baroque | D♭ Major | 1 | 3B | 65 BPM | ||
12 Trio Sonatas, Op. 1, No. 4 in E Major, RV 66: III. Allemanda. Allegro | Antonio Vivaldi, L'Estravagante | F♯ Minor | 2 | 11A | 168 BPM | ||
"Concerto Funebre" con hautbois sordini e salmoè, violino principale e viole da gamba (Si Bem. Maggiore, RV 579): III. Allegro | Antonio Vivaldi, Jordi Savall, Alfredo Bernardini, Manfredo Kraemer, Diego Montes, Le Concert Des Nations | A Major | 3 | 11B | 109 BPM | ||
Concerto Grosso in D Minor, Op. 2, No. 3: I. Presto | Francesco Geminiani, Tafelmusik Baroque Orchestra, Jeanne Lamon | D♭ Minor | 3 | 12A | 115 BPM | ||
Fantasia Suite: I. Fantasia | John Coprario, London Baroque | B Major | 1 | 1B | 168 BPM | ||
Sett No. 1: Galliard | William Lawes, London Baroque | F♯ Minor | 1 | 11A | 87 BPM | ||
Flute Sonata in B minor, HWV 376 "Halle" No. 3: 3. Largo | George Frideric Handel, Academy of St. Martin in the Fields, William Bennett, Nicholas Kraemer, Denis Vigay | D Minor | 4 | 7A | 152 BPM |
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