"A Royal Command - From "Downton Abbey"" by John Lunn, The Chamber Orchestra Of London was released on September 13, 2019. With this song being about 5 minutes long, at 4:49, "A Royal Command - From "Downton Abbey"" by John Lunn, The Chamber Orchestra Of London is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 1 out of 17 in Downton Abbey (Original Score) by John Lunn, The Chamber Orchestra Of London. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. A Royal Command - From "Downton Abbey" is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of A Royal Command - From "Downton Abbey" by John Lunn, The Chamber Orchestra Of London is Andante (at a walking pace), since this song has a tempo of 82 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Persuasion (From "Persuasion") [BBC 2007 Adaptation] | Regency Players | C Major | 1 | 8B | 100 BPM | ||
Edith's Theme | Fernando Velázquez | G Minor | 1 | 6A | 81 BPM | ||
You Are Not Alone | Angelo Milli | F♯ Minor | 2 | 11A | 68 BPM | ||
Côte D’Azur | John Lunn, The Chamber Orchestra Of London | A Minor | 2 | 8A | 83 BPM | ||
Conor Despierta / Títulos de Inicio | Fernando Velázquez | B♭ Major | 1 | 6B | 113 BPM | ||
First Love Touch | Angelo Badalamenti | F Major | 1 | 7B | 140 BPM | ||
Finale | Max Richter | D Major | 3 | 10B | 80 BPM | ||
The Name of the Rose | Volker Bertelmann | A♭ Major | 4 | 4B | 65 BPM | ||
Daring to Hope | Anne Dudley | D♭ Minor | 2 | 12A | 116 BPM | ||
Ethel Main Title | Miriam Cutler | F Major | 1 | 7B | 120 BPM |
Section: 0.577033519744873
End: 0.5860810279846191