"The Planets, Op. 32: I. Mars, the Bringer of War" by Gustav Holst, The Cambridge Singers, Royal Philharmonic Orchestra, Owain Arwel Hughes was released on September 2, 2016. Since The Planets, Op. 32: I. Mars, the Bringer of War is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 9 in the song's album "The Planets". In this album, this song's track order is #1. In terms of popularity, The Planets, Op. 32: I. Mars, the Bringer of War is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With The Planets, Op. 32: I. Mars, the Bringer of War by Gustav Holst, The Cambridge Singers, Royal Philharmonic Orchestra, Owain Arwel Hughes having a BPM of 95 with a half-time of 48 BPM and a double-time of 190 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 3/4.
This song is in the music key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Pines Of Rome | Chicago Symphony Orchestra | F Major | 2 | 7B | 80 BPM | ||
Peter and the Wolf, Op. 67 (Without Narration): The Bird | Sergei Prokofiev, Slovak Radio Symphony Orchestra, Ondrej Lenard | C Major | 0 | 8B | 99 BPM | ||
L'Apprenti sorcier | Paul Dukas, Yan Pascal Tortelier, Ulster Orchestra | F Minor | 4 | 4A | 117 BPM | ||
Aladdin Suite, Op. 34, FS 89: I. The Festival March | Carl Nielsen, South Jutland Symphony Orchestra, Niklas Willen | A Minor | 3 | 8A | 112 BPM | ||
A Journey (A Kingdom of Dreams) - from 'The Wind Rises' | Joe Hisaishi, Royal Philharmonic Orchestra | D Major | 2 | 10B | 83 BPM | ||
バイユー・ブレークダウン | ブラント・カーリック, 昭和ウィンド・シンフォニー, ミグリアロ・ユージーン・コーポロン | B Major | 3 | 1B | 110 BPM | ||
The Demon God - from 'Princess Mononoke' | Joe Hisaishi, Royal Philharmonic Orchestra | C Major | 3 | 8B | 136 BPM | ||
Saxophone Concerto, Op. 59 "Cyber-bird": I. Bird in Colors | Takashi Yoshimatsu, Sachio Fujioka, BBC Philharmonic, Nobuya Sugawa | F Major | 2 | 7B | 80 BPM | ||
Symphonic Dance No. 3, "Fiesta" | Clifton Williams, Dallas Wind Symphony, Howard Dunn | B♭ Major | 1 | 6B | 146 BPM | ||
Lyric Suite, Op. 54: IV. Troldtog (March of the Dwarfs) | Edvard Grieg, Malmö Symphony Orchestra, Bjarte Engeset | D Major | 0 | 10B | 74 BPM |
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