"Rêverie et caprice, Op.8" by Augustin Dumay, Manuel Rosenthal, Monte-Carlo Philharmonic Orchestra was released on 1985. Since Rêverie et caprice, Op.8 is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 7 in the song's album "Poème - Pièces pour violon". In this album, this song's track order is #6. Rêverie et caprice, Op.8 is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Rêverie et caprice, Op.8 by Augustin Dumay, Manuel Rosenthal, Monte-Carlo Philharmonic Orchestra having a BPM of 74 with a half-time of 37 BPM and a double-time of 148 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
A Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Viola Sonata in D Minor: I. Allegro moderato | Mikhail Glinka, Nobuko Imai, Roland Pöntinen | D Minor | 1 | 7A | 125 BPM | ||
Concerto en fa majeur pour violon et orchestre Op.20 - Première partie (Andante - Allegro) | Augustin Dumay, Michel Plasson, Orchestre Du Capitole De Toulouse | F Minor | 1 | 4A | 99 BPM | ||
Prokofiev: Violin Concerto No. 2 in G Minor, Op. 63: III. Allegro ben marcato | Sergei Prokofiev, Maxim Vengerov, Mstislav Rostropovich, London Symphony Orchestra | G Major | 2 | 9B | 76 BPM | ||
Grieg: Cello Sonata in A Minor, Op. 36: II. Andante molto tranquillo | Edvard Grieg, Truls Mørk, Håvard Gimse | A♭ Minor | 1 | 1A | 173 BPM | ||
Violin Concerto In D Minor, Op.47: 3. Allegro, ma non tanto | Jean Sibelius, Pinchas Zukerman, London Philharmonic Orchestra, Daniel Barenboim | D Major | 3 | 10B | 105 BPM | ||
Piano Trio in B-Flat Major, K. 502: II. Larghetto | Wolfgang Amadeus Mozart, Maria João Pires, Augustin Dumay, Jian Wang | E♭ Major | 0 | 5B | 81 BPM | ||
Lekeu: Violin Sonata in G Major: III. Très animé | Guillaume Lekeu, Augustin Dumay, Jean-Philippe Collard | G Major | 2 | 9B | 89 BPM | ||
Glazunov: Elegia, Op. 44 | Alexander Glazunov, Gérard Caussé | E♭ Major | 1 | 5B | 89 BPM | ||
Songs Without Words: VII. Andante espressivo, Op. 62/1 | Felix Mendelssohn, Augustin Dumay, Jonathan Fournel | B♭ Major | 1 | 6B | 61 BPM | ||
Piano Concerto in A Minor, Op. 16: III. Allegro moderato molto e marcato - Remastered | Edvard Grieg, Arthur Rubinstein, Alfred Wallenstein, RCA Victor Symphony Orchestra | F Major | 1 | 7B | 119 BPM |
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