Anne Sofie von Otter, Benny Andersson, Svante Henryson's 'I walk with you, Mama' came out on January 1, 2006. With this song being around four minutes long, at 3:31, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Anne Sofie von Otter's "I let the music speak" album is number 4 out of 13. On top of that, Germany appears to be the country where this track was created. Based on our statistics, I walk with you, Mama's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of I walk with you, Mama by Anne Sofie von Otter, Benny Andersson, Svante Henryson to be Allegro (fast, quick, and bright) because the track has a tempo of 139 BPM, a half-time of 70BPM, and a double-time of 278 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
A Major is the music key of this track. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Requiem in D minor, K.626: 6. Benedictus | Wolfgang Amadeus Mozart, Anne Sofie von Otter, Barbara Bonney, Hans Peter Blochwitz, Willard White, English Baroque Soloists, John Eliot Gardiner | B♭ Major | 1 | 6B | 90 BPM | ||
Vogue, vogue la galère | Camille Saint-Saëns, Anne Sofie von Otter, Bengt Forsberg, Björn Gäfvert | A♭ Major | 1 | 4B | 94 BPM | ||
Lakmé / Act 2: "Où va la jeune Indoue" (Bell song) | Léo Delibes, Aida Garifullina, Vienna Radio Symphony Orchestra, Cornelius Meister | D Minor | 1 | 7A | 168 BPM | ||
Sechs Lieder, Op. 48: Zur Rosenzeit, Op. 48/5 | Edvard Grieg, Anne Sofie von Otter, Bengt Forsberg | G Major | 0 | 9B | 73 BPM | ||
Orfeo ed Euridice: "Act III, Scene 1, Orfeo: Che farò senza Euridice? " | Christoph Willibald Gluck, René Jacobs, Freiburger Barockorchester, RIAS Kammerchor | G Major | 1 | 9B | 71 BPM | ||
L'Heure exquise | Reynaldo Hahn, Susan Graham | D♭ Major | 0 | 3B | 79 BPM | ||
Handel: Serse, HWV 40, Act 1, Scene 11: Recitativo. "Queste vittorie, io credo" (Serse, Amastre) | George Frideric Handel, William Christie, Anne Sofie von Otter, Silvia Tro Santafe, Les Arts Florissants | F♯ Minor | 1 | 11A | 170 BPM | ||
Handel: Serse, HWV 40, Act 2, Scene 10: Aria. "Il core spera e teme" (Serse) | George Frideric Handel, William Christie, Anne Sofie von Otter, Les Arts Florissants | D Major | 1 | 10B | 48 BPM | ||
Le plus beau présent | Reynaldo Hahn, Anne Sofie von Otter, Bengt Forsberg | A♭ Major | 0 | 4B | 70 BPM | ||
Dixit Dominus, HWV 232: Die Torrente in via bibet | George Frideric Handel, Angela Kazimierczuk, Katherine Fuge, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | B Minor | 0 | 10A | 68 BPM |
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