"Orff: Carmina Burana, Pt. 3, Cour d'amours: In trutina" by Carl Orff, David Hill, Janice Watson, Bournemouth Symphony Orchestra was released on 1995. The duration of Orff: Carmina Burana, Pt. 3, Cour d'amours: In trutina is about two minutes long, specifically at 2:43. This song does not appear to have any foul language. Orff: Carmina Burana, Pt. 3, Cour d'amours: In trutina's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 25 in the song's album "Orff: Carmina Burana". In this album, this song's track order is #21. Furthermore, we believe that the track originated from United Kingdom. Orff: Carmina Burana, Pt. 3, Cour d'amours: In trutina is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Orff: Carmina Burana, Pt. 3, Cour d'amours: In trutina by Carl Orff, David Hill, Janice Watson, Bournemouth Symphony Orchestra having a BPM of 81 with a half-time of 40 BPM and a double-time of 162 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
D Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Carmina Burana / Fortuna Imperatrix Mundi: "Fortune plango vulnera" | Carl Orff, Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Eugen Jochum | B♭ Major | 2 | 6B | 132 BPM | ||
3 Mélodies, Op. 7 - Arr. Hazell: 1. Après un rêve | Gabriel Fauré, Sheku Kanneh-Mason, Members Of The BBC National Orchestra Of Wales, Members of the English Chamber Orchestra, Members Of The Philharmonia Orchestra, Christopher Warren-Green | F Minor | 1 | 4A | 96 BPM | ||
Suite No. 3 in D Major, BWV 1068: II. Air | Johann Sebastian Bach, Sir Neville Marriner, Academy of St. Martin in the Fields | D Major | 1 | 10B | 89 BPM | ||
Rusalka, Op. 114, B.203 / Act 1: Mesicku na nebi hlubokém | Antonín Dvořák, Anna Netrebko, Wiener Philharmoniker, Gianandrea Noseda | F♯ Major | 1 | 2B | 87 BPM | ||
Sibelius: Finlandia, Op. 26 | Jean Sibelius, Sir John Barbirolli, Hallé | D Minor | 2 | 7A | 171 BPM | ||
Serse / Act 1: "Ombra mai fù" | George Frideric Handel, Anthony Way, Daniel Phillips, English Sinfonia, Neil Page | F Major | 1 | 7B | 70 BPM | ||
Elgar: Variations on an Original Theme, Op. 36 "Enigma": Variation IX. Nimrod | Edward Elgar, Andrew Davis, BBC Symphony Orchestra | B♭ Major | 1 | 6B | 82 BPM | ||
Nabucco: Va, pensiero, "Chorus of Hebrew Slaves" | Giuseppe Verdi, Slovak Philharmonic Chorus, Slovak Radio Symphony Orchestra, Oliver von Dohnanyi | D♭ Major | 0 | 3B | 71 BPM | ||
Requiem in D Minor, K. 626 (Süssmayr - Dutron 2016 completion): I. Introitus - Requiem æternam | Wolfgang Amadeus Mozart, RIAS Kammerchor, Sophie Karthäuser, René Jacobs, Freiburger Barockorchester | D Minor | 1 | 7A | 90 BPM | ||
Stabat Mater: 1. Stabat Mater | Giovanni Battista Pergolesi, Emma Kirkby, James Bowman, Academy of Ancient Music, Christopher Hogwood | E Minor | 0 | 9A | 88 BPM |
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